{"id":13423,"date":"2018-03-09T08:59:41","date_gmt":"2018-03-09T08:59:41","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/orientacion-en-la-poetica-visual-y-narratiava-de-akira-kurosawa-una-lectura-estetica-de-su-cinematografa%c2%ada\/"},"modified":"2018-03-09T08:59:41","modified_gmt":"2018-03-09T08:59:41","slug":"orientacion-en-la-poetica-visual-y-narratiava-de-akira-kurosawa-una-lectura-estetica-de-su-cinematografa%c2%ada","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/orientacion-en-la-poetica-visual-y-narratiava-de-akira-kurosawa-una-lectura-estetica-de-su-cinematografa%c2%ada\/","title":{"rendered":"Orientaci\u00f3n en la po\u00e9tica visual y narratiava de akira kurosawa. una lectura est\u00e9tica de su cinematograf\u00eda."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Mas Ribes Rosa M. <\/strong><\/h2>\n<p>El argumento de esta tesis intenta ofrecer al lector una nueva aproximaci\u00f3n a la cinematograf\u00eda creada pot el director japon\u00e9s akira kurosawa, calificado por la mayor parte de la cr\u00edtica internacional, inclu\u00edda la japones, de ser un director occientalizante que centr\u00f3 su mirada en la creaci\u00f3n europea y nortemaricana, olvidando sus ra\u00edces orientales.  para demostrar el error de esta afirmaci\u00f3n, la tesis prte del an\u00e1lisis de dicesi\u00e9is t\u00edtulos del director y de la lectura de una extensa bibliofraf\u00eda orientalista y de art\u00edculos de opini\u00f3n entorno al trabajo cinematogr\u00e1fico del director japon\u00e9s,para anlizar despu\u00e9s las ra\u00edces orientales en todos sus films, las aportaciones de las artes japonesas (con especial atenci\u00f3n a la pintura y al teatro) a su lenguaje cinematogr\u00e1fico, as\u00ed comolso rasgos de identidad en la creaci\u00f3n de un hombre de amplia formaci\u00f3n humanista que respet\u00f3 siempre su cultura y consigui\u00f3 la admiraci\u00f3n de directores como francis ford coppola o steven spielberg.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Orientaci\u00f3n en la po\u00e9tica visual y narratiava de akira kurosawa. una lectura est\u00e9tica de su cinematograf\u00eda.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Orientaci\u00f3n en la po\u00e9tica visual y narratiava de akira kurosawa. una lectura est\u00e9tica de su cinematograf\u00eda. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Mas Ribes Rosa M. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 23\/10\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Delma De La Hoz Jos\u00e9 Vicente<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rom\u00ed\u00a0 De la calle de la calle <\/li>\n<li>Javier Marzal felici (vocal)<\/li>\n<li>Juan  Miguel Company ramon (vocal)<\/li>\n<li>Jos\u00e9 Saborit viguer (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mas Ribes Rosa M. El argumento de esta tesis intenta ofrecer al lector una nueva aproximaci\u00f3n a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[960,147,5547,10452,165,1111],"tags":[43582,43583,22743,12288,43581,16851],"class_list":["post-13423","post","type-post","status-publish","format-standard","hentry","category-antropologia-filosofica","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-estetica","category-filosofia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-delma-de-la-hoz-jose-vicente","tag-javier-marzal-felici","tag-jose-saborit-viguer","tag-juan-miguel-company-ramon","tag-mas-ribes-rosa-m","tag-romi-de-la-calle-de-la-calle"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/13423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=13423"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/13423\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=13423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=13423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=13423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}