{"id":134364,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-radiofonico-un-arte-sonoro-para-el-espacio-electronico-de-la-radiodifusion\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"arte-radiofonico-un-arte-sonoro-para-el-espacio-electronico-de-la-radiodifusion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencia-politica\/arte-radiofonico-un-arte-sonoro-para-el-espacio-electronico-de-la-radiodifusion\/","title":{"rendered":"Arte radiofonico. un arte sonoro para el espacio electronico de la radiodifusion."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jose Iges Lebrancon <\/strong><\/h2>\n<p>Se considera el arte radiofonico inmerso, de un lado, en las corrientes artisticas del siglo y, de otro, en los procesos comunicativos propios de la empresa informativa.  en relacion con lo primero, se entiende que el arte radiofonico es arte sonoro y a la vez arte electronico, lo que nos permite referirlo al arte en las redes electronicas de comunicacion.  respecto a lo segundo, es un arte nacido para el medio, cuya practica ha venido expandiendo los limites conceptuales y formales del lenguaje radiofonico. Para el desarrollo de lo anterior y el posterior establecimiento de las correspondientes conclusiones, se procede a exponer los episodios fundamentales del arte radiofonico y, tras ello, a profundizar en la especificidad del lenguaje radiofonico en sus aplicaciones artisticas, lo que da ocasion a establecer una taxonomia de los sistemas expresivo-sonoros que lo conforman y de los generos artisticos radiofonicos, lo cual se hace seguir de un analisis de obras significativas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte radiofonico. un arte sonoro para el espacio electronico de la radiodifusion.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte radiofonico. un arte sonoro para el espacio electronico de la radiodifusion. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jose Iges Lebrancon <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Ventin Pereira Jos\u00e9 Augusto<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Pedro Farias Garcia <\/li>\n<li>Pedro Barea (vocal)<\/li>\n<li>Francisco Javier Davara Rodr\u00edguez (vocal)<\/li>\n<li>Jos\u00e9 Javier Maderuelo Raso (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jose Iges Lebrancon Se considera el arte radiofonico inmerso, de un lado, en las corrientes artisticas del [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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