{"id":134390,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/objeto-representado-objeto-presentado\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"objeto-representado-objeto-presentado","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/objeto-representado-objeto-presentado\/","title":{"rendered":"Objeto representado-objeto presentado."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jes\u00fas Larra\u00f1aga Altuna <\/strong><\/h2>\n<p>La tesis pone de manifiesto las relaciones existentes entre la representacion de objetos, que en la tradicion artistica ha sido denominada naturaleza muerta, y la presentacion de objetos, una de cuyas aplicaciones en el campo del arte se denomina instalacion.Para ello, por un lado, se definen los fundamentos en los que se apoyan ambas propuestas plasticas, y los mecanismos empleados en su desarrollo. Y por otro, se establecen historicamente una serie de vias de relacion entre una y otra propuesta.  en este recorrido, se constata la confluencia general de los conceptos representacion y presentacion en su aplicacion artistica, y a la vez se muestran aquellos aspectos que caracterizan su aplicacion a determinadas practicas artisticas historica y formalmente bien determinadas. La propuesta relacional, tiene su concrecion en la obra del artista richard artschwager, quien define sus instalaciones en referencia a la naturaleza muerta, y propone a su vez el actuar artistico como problematizacion de la relacion arte-realidad, llevando a su limite la idea de representacion.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Objeto representado-objeto presentado.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Objeto representado-objeto presentado. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jes\u00fas Larra\u00f1aga Altuna <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Parralo Dorado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Javier Pereda Piquer <\/li>\n<li>Carlos Velilla Lon (vocal)<\/li>\n<li>Luis Parra Supervia (vocal)<\/li>\n<li> Tolosa Mar\u00edn Jos\u00e9 Lu\u00eds (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jes\u00fas Larra\u00f1aga Altuna La tesis pone de manifiesto las relaciones existentes entre la representacion de objetos, que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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