{"id":134444,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/miguel-delibes-y-el-cine\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"miguel-delibes-y-el-cine","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/miguel-delibes-y-el-cine\/","title":{"rendered":"Miguel delibes y el cine."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Martin Olmos M. Teresa <\/strong><\/h2>\n<p>Siete adaptaciones cinematograficas son el objeto de la presente investigacion, asi como sus respectivas obras narrativas escritas por el escritor vallisoletano, premio cervantes, miguel delibes.Por orden cronologico de adaptacion a la pantalla, el analisis se centra en: \u00abel camino\u00bb (1.962), dirigida por ana mariscal; \u00abmi idolatrado hijo sisi\u00bb, adaptada como \u00abretrato de familia\u00bb, por antonio gimenez-rico (1.976); \u00abel principe destronado\u00bb, realizada por antonio mercero bajo el titulo \u00abla guerra de papa\u00bb (1.977); \u00ablos santos inocentes\u00bb (1.984), dirigida por mario camus; \u00abel diputado voto del se\u00f1or cayo\u00bb (1.986), por antonio gimenez-rico; \u00abel tesoro\u00bb (1.988), por antonio mercero; y \u00abla sombra del cipres es alargada\u00bb (1.990), dirigida por luis alcoriza.La tesis se completa con un anexo en el que se muestra la temprana amistad del escritor con el septimo arte. En el se reproducen criticas y articulos sobre cine escritos por delibes; entrevistas al escritor (incluida una de la autora de la tesis); fichas tecnicas de las peliculas analizadas; articulos de los respectivos directores sobre los filmes estudiados; criticas publicadas; biografia y filmografia de alcoriza, camus, mariscal&#8230; Completando este apartado con una biografia de miguel delibes.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Miguel delibes y el cine.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Miguel delibes y el cine. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Martin Olmos M. Teresa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Lara Garcia<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Covadonga Lopez Alonso <\/li>\n<li> Miguel Martinez Casilda De (vocal)<\/li>\n<li>Juan Benavides Delgado (vocal)<\/li>\n<li>Domingo Jos\u00e9 Gallego Gil (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Martin Olmos M. Teresa Siete adaptaciones cinematograficas son el objeto de la presente investigacion, asi como sus [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,986,4735,269,1111],"tags":[5272,4623,17106,5803,248550,24428],"class_list":["post-134444","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-complutense-de-madrid","category-comunicaciones-sociales","category-sociologia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-antonio-lara-garcia","tag-covadonga-lopez-alonso","tag-domingo-jose-gallego-gil","tag-juan-benavides-delgado","tag-martin-olmos-m-teresa","tag-miguel-Martinez-casilda-de"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/134444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=134444"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/134444\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=134444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=134444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=134444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}