{"id":134683,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-palacio-del-congreso-de-los-diputados-y-su-coleccion-pictorica\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"el-palacio-del-congreso-de-los-diputados-y-su-coleccion-pictorica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-palacio-del-congreso-de-los-diputados-y-su-coleccion-pictorica\/","title":{"rendered":"El palacio del congreso de los diputados y su coleccion pictorica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Amalia Salva Heran <\/strong><\/h2>\n<p>Se realiza en este trabajo un estudio arquitectonico, escultorico y, sobre todo, pictorico del edificio del palacio del congreso de los diputados, que albergara al cuerpo legislativo, nuevo \u00abmecenas\u00bb de las artes en la segunda mitad del siglo xix.Los techos y parametros de los salones del palacio: presidencia, escritorios, salon de conferencias y en especial el salon de sesiones, son un ejemplo de la pintura decorativa decimononica en un edificio de caracter publico.A ello se une la excepcional galeria de retratos de los presidentes del congreso, con un total de 64 lienzos, cuya catalogacion supone un importante capitulo.La nueva arquitectura esta presente en los edificios i y ii ampliacion del congreso, cuyos interiores albergan una amplia coleccion de pintura contemporanea espa\u00f1ola, la cual aparece catalogada y estudiada.Finaliza el i volumen de este trabajo con un apendice, indices y la bilbiografia consultada, y como muestra de la amplia documentacion que se ha investigado se acompa\u00f1a un ii volumen, que constituye un anexo documental.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El palacio del congreso de los diputados y su coleccion pictorica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El palacio del congreso de los diputados y su coleccion pictorica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Amalia Salva Heran <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jose Alvarez Lopera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Ana Mar\u00eda Arias De Coss\u00edo <\/li>\n<li>Antonio  Juan Calvo Castellon (vocal)<\/li>\n<li>Juan  Enrique Arias Angles (vocal)<\/li>\n<li>Jos\u00e9 Enrique Garcia  Melero (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Amalia Salva Heran Se realiza en este trabajo un estudio arquitectonico, escultorico y, sobre todo, pictorico del [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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