{"id":134795,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-rtva-y-el-sector-audiovisual-andaluz-principios-orientaciones-y-resultados\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"la-rtva-y-el-sector-audiovisual-andaluz-principios-orientaciones-y-resultados","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-rtva-y-el-sector-audiovisual-andaluz-principios-orientaciones-y-resultados\/","title":{"rendered":"La rtva y el sector audiovisual andaluz: principios, orientaciones y resultados."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Fernandez Soriano M. Emelina <\/strong><\/h2>\n<p>La tesis \u00abla rtva. Y el sector audiovisual andaluz:  principios, orientaciones y resultados\u00bb, esta dividida en tres partes bien diferenciadas.  la primera engloba los capitulos 1,2 y 3. Establece las coordenadas en las que se mueve el trabajo. Plantea las hipotesis de la investigacion, alude a las relaciones entre tv. Y sociedad y situa el marco historico de la television en espa\u00f1a y la implantacion de un modelo de television esencialmente descentralizado.  la segunda parte, engloba los capitulos 4, 5 y 6, estudia y analiza el marco juridico de la tv. Publica en sus diferentes niveles: autonomico, estatal y europeo y su correspondiente aplicacion al caso concreto de la rtva.  la tercera parte, que engloba los capitulos 7 y 8 de la tesis investiga sobre: el modelo de produccion de la cadena y su papel como dinamizador de la industria audiovisual andaluza.  el ultimo capitulo, aporta las conclusiones de las investigaciones anteriores, concluyendo con la bibliografia utilizada y los anexos aportados.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La rtva y el sector audiovisual andaluz: principios, orientaciones y resultados.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La rtva y el sector audiovisual andaluz: principios, orientaciones y resultados. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Fernandez Soriano M. Emelina <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miguel De Aguilera Moyano<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Enrique Bustamante Ramirez <\/li>\n<li>Javier Perez Royo (vocal)<\/li>\n<li>Amparo Huertas  Bail\u00e9n (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fernandez Soriano M. Emelina La tesis \u00abla rtva. Y el sector audiovisual andaluz: principios, orientaciones y resultados\u00bb, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[838,147,5547,7834,5051,4840,1111],"tags":[41265,5801,248953,43490,5319],"class_list":["post-134795","post","type-post","status-publish","format-standard","hentry","category-ciencia-politica","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-malaga","category-medios-de-comunicacion-de-masas","category-opinion-publica","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-amparo-huertas-bailen","tag-enrique-bustamante-ramirez","tag-fernandez-soriano-m-emelina","tag-javier-perez-royo","tag-miguel-de-aguilera-moyano"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/134795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=134795"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/134795\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=134795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=134795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=134795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}