{"id":135224,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-obra-de-jaime-mir-en-el-contexto-de-la-escultura-anatomica-figurativa\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"la-obra-de-jaime-mir-en-el-contexto-de-la-escultura-anatomica-figurativa","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-obra-de-jaime-mir-en-el-contexto-de-la-escultura-anatomica-figurativa\/","title":{"rendered":"La obra de jaime mir en el contexto de la escultura anatomica figurativa."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Amelia Garcia Sanchez <\/strong><\/h2>\n<p>Tras la introduccion en la que se apunta la tridimensionalidad como hecho compartido por el director de la investigacion la doctoranda- ceramista de oficio- y el artista que es objeto del estudio escultor tan importante como anonimo se repasan sucesivamente la singular peripecia vital de jaime mir y la exegesis de sus precedentes.  aparte de una completisima catalogacion de sus esculturas una metodolog\u00eda rigurosa el rastreo exhaustivo de las fuentes y el analisis morfognomonico de lo mejor de la obra de mir ofrecido en una iconografia sorprendente, permiten elevar a la categoria de tesis la reivindicacion de un creador cuya obra trasciende a su rebeldia y al aislamiento de su insularidad asumida, factores que habian hecho de el, hasta ahora un escultor practicamente desconocido.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La obra de jaime mir en el contexto de la escultura anatomica figurativa.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La obra de jaime mir en el contexto de la escultura anatomica figurativa. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Amelia Garcia Sanchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Luis Santos Gutierrez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Eduardo Capa Sacritan <\/li>\n<li>Jos\u00e9 Carretero Gonzalez (vocal)<\/li>\n<li>Rodolfo Conesa Bermejo (vocal)<\/li>\n<li>Hipolito Perez Calvo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Amelia Garcia Sanchez Tras la introduccion en la que se apunta la tridimensionalidad como hecho compartido por [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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