{"id":135318,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/aportaciones-experimentales-y-plasticas-de-la-madera-como-soporte-pictorico\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"aportaciones-experimentales-y-plasticas-de-la-madera-como-soporte-pictorico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/aportaciones-experimentales-y-plasticas-de-la-madera-como-soporte-pictorico\/","title":{"rendered":"Aportaciones experimentales y plasticas de la madera como soporte pictorico."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Sanchez Sanchez Miguel Elias <\/strong><\/h2>\n<p>La presente tesis doctoral es un manual tecnico, un tratado para pintores realizado por un pintor. En este estudio se pone al dia la madera como soporte pictorico, sus materiales y procedimientos.  realizando las siguientes aportaciones:  1) seis bases de preparacion del soporte (base y.J.M., m.E.S., Thm i , thm ii, t.J.H.M., E.M.) 2) actualizacion de las colas industriales para madera, tintes quimicos, naturales, minerales.  3) descripcion y sistematizacion de la tecnica de la \u00abtalla-pintura\u00bb; (talla del soporte pictorico) 4) actualizacion y adaptacion de los barnices empleados en ebanisteria artistica para su empleo en la pintura artistica.  6) revision de la tratadistica desde el s.I hasta nuestros dias.  la lectura de la tesis es acompa\u00f1ada de una exposicion de pruebas y obras realizadas por el autor.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Aportaciones experimentales y plasticas de la madera como soporte pictorico.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Aportaciones experimentales y plasticas de la madera como soporte pictorico. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Sanchez Sanchez Miguel Elias <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Horna Garcia Luis Ignacio De<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Lorenzo Gonz\u00e1lez S\u00e1nchez <\/li>\n<li>Eusebio S\u00e1nchez Blanco (vocal)<\/li>\n<li> Garcia Diez Jos\u00e9 Antonio (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Sanchez Sanchez Miguel Elias La presente tesis doctoral es un manual tecnico, un tratado para pintores realizado [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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