{"id":135320,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/obra-poetica-de-michaux-trayectos-de-desdefinicion\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"obra-poetica-de-michaux-trayectos-de-desdefinicion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/obra-poetica-de-michaux-trayectos-de-desdefinicion\/","title":{"rendered":"Obra poetica de michaux: trayectos de desdefinicion."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Sanchez Villalon Manuel Lucas <\/strong><\/h2>\n<p>Se estudia en la presente tesis el recorrido creativo de la obra de michaux: un recorrido poetico, pictorico y musical, y como cada una de estas manifestaciones artisticas influye y determina a las otras dos. Recorrido bajo el signo dinamico de la \u00ab\u00bbdes-definicion en este trabajo este concepto sirve para expresar como se trascienden mediante el arte los estrechos margenes que imponen los sentidos o la razon. Asi pues, se relaciona este concepto con otros sinonimos de la obra de michaux, como abstraccion, destruccion, purificacion o expansion.  a continuacion, en una parte tematica, cuales son las barreras que determinan el libre fluir del yo, y que generan una escritura de \u00ab\u00bbcombate\u00bb\u00bb. Por oposicion, mas adelante se exponen los temas que expresan el libre fluir del yo un fluir musical. Finalmente se estudia formalmente en su escritura el mecanismo desdefinitorio a traves de las figuras retoricas relacionadas con la variacion y repeticion en musica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Obra poetica de michaux: trayectos de desdefinicion.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Obra poetica de michaux: trayectos de desdefinicion. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Sanchez Villalon Manuel Lucas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Frandji Martine Torrens<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Dolores Jimenez Plaza <\/li>\n<li>Josette Borras (vocal)<\/li>\n<li>Jos\u00e9 Antonio Perez Bowie (vocal)<\/li>\n<li>Marta Segarra Montaner (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Sanchez Villalon Manuel Lucas Se estudia en la presente tesis el recorrido creativo de la obra de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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