{"id":135387,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-indumentaria-en-pinturas-en-tenerife-de-los-siglos-xvi-xvii-y-xviii\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"la-indumentaria-en-pinturas-en-tenerife-de-los-siglos-xvi-xvii-y-xviii","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-indumentaria-en-pinturas-en-tenerife-de-los-siglos-xvi-xvii-y-xviii\/","title":{"rendered":"La indumentaria en pinturas en tenerife de los siglos xvi, xvii y xviii."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Estanislao Gonzalez Gonzalez <\/strong><\/h2>\n<p>\u00abla indumentaria en pinturas en tenerife de los siglos xvi, xvii y xviii\u00bb, aborda un estudio sobre el papel que desempe\u00f1an los atuendos en las referidas composiciones, llevando a cabo una concreacion de los distintos elementos de que se componen dichas indumentarias, asi como valorando comparativamente las similitudes y diferencias respecto a una concepcion de conjunto de las obras y su relacion con las modas imperantes. Aporta tambien documentacion historica sobre el uso en la isla de muchas de las prendas con las que aparecen ataviados algunos de los personajes en las pinturas, abordando tambien dataciones en base a dichas indumentarias y caracteristicas respecto al estilo de interpretacion que utilizan los pintores y su posible relacion con los movimientos artisticos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La indumentaria en pinturas en tenerife de los siglos xvi, xvii y xviii.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La indumentaria en pinturas en tenerife de los siglos xvi, xvii y xviii. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Estanislao Gonzalez Gonzalez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 La laguna<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rafael Delgado Rodriguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Carlos P\u00e9rez Reyes <\/li>\n<li>Sebastian Hernandez Gutierrez (vocal)<\/li>\n<li> Reyes Duque M. Del Carmen (vocal)<\/li>\n<li> Hodgson Torres M. Luisa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Estanislao Gonzalez Gonzalez \u00abla indumentaria en pinturas en tenerife de los siglos xvi, xvii y xviii\u00bb, aborda [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[681,983,147,9915,3806,1111,54167],"tags":[5816,164605,10213,110055,240235,16741],"class_list":["post-135387","post","type-post","status-publish","format-standard","hentry","category-antropologia","category-antropologia-cultural","category-ciencias-de-las-artes-y-las-letras","category-la-laguna","category-pintura","category-teoria-analisis-y-critica-de-las-bellas-artes","category-vestidos","tag-carlos-perez-reyes","tag-estanislao-gonzalez-gonzalez","tag-hodgson-torres-m-luisa","tag-rafael-delgado-rodriguez","tag-reyes-duque-m-del-carmen","tag-sebastian-hernandez-gutierrez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/135387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=135387"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/135387\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=135387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=135387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=135387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}