{"id":135399,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-y-ordenadores-una-investigacion-exploratoria-sobre-la-transformacion-digital-del-arte\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"arte-y-ordenadores-una-investigacion-exploratoria-sobre-la-transformacion-digital-del-arte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/matematicas\/arte-y-ordenadores-una-investigacion-exploratoria-sobre-la-transformacion-digital-del-arte\/","title":{"rendered":"Arte y ordenadores: una investigacion exploratoria sobre la transformacion digital del arte."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Fidelis Heyrman Hugo <\/strong><\/h2>\n<p>Esta tesis intenta reflejar un enfoque interdisciplinar sobre la poderosa sinergia existente entre creatividad y alta tecnolog\u00eda. Consta de dos partes: primero, una parte teorica, compuesta por el analisis de la situacion de la imagen digital, y las reflexiones suscitadas en torno a ella (volumen i), y, otra parte que recoge trabajos artisticos, constituida por un conjunto de impresiones digitales \u00abnuevos modelos de realidad\u00bb (volumen ii). El volumen i, tiene en cuenta dos puntos de vista: la teoria del arte y la practica artistica con medios electronicos por un lado, y la consideracion de aspectos filosoficos y esteticos relativos al arte y los ordenadores.  con esta investigacion se ha pretendido llegar al fondo del problema, rastreando las interrelaciones de la cuestion con el fin de defender la tecnolog\u00eda con una cara humana.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte y ordenadores: una investigacion exploratoria sobre la transformacion digital del arte.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte y ordenadores: una investigacion exploratoria sobre la transformacion digital del arte. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Fidelis Heyrman Hugo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 La laguna<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Blanco Altozano M. Pilar<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Eduardo Camacho Cabrera <\/li>\n<li>Juan Crego Moran (vocal)<\/li>\n<li> Martin Rodriguez Fernando Gabriel (vocal)<\/li>\n<li> Van Den Gyden Collado Carmen (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fidelis Heyrman Hugo Esta tesis intenta reflejar un enfoque interdisciplinar sobre la poderosa sinergia existente entre creatividad [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1890,147,4100,15977,9915,126,1111],"tags":[10218,22590,249614,28453,10447,249615],"class_list":["post-135399","post","type-post","status-publish","format-standard","hentry","category-ciencia-de-los-ordenadores","category-ciencias-de-las-artes-y-las-letras","category-dibujo-y-grabado","category-diseno-con-ayuda-de-ordenador","category-la-laguna","category-matematicas","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-blanco-altozano-m-pilar","tag-eduardo-camacho-cabrera","tag-fidelis-heyrman-hugo","tag-juan-crego-moran","tag-martin-rodriguez-fernando-gabriel","tag-van-den-gyden-collado-carmen"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/135399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=135399"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/135399\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=135399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=135399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=135399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}