{"id":135537,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-contemporaneo-en-andalucia-1957-1980\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"arte-contemporaneo-en-andalucia-1957-1980","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/arte-contemporaneo-en-andalucia-1957-1980\/","title":{"rendered":"Arte contemporaneo en andalucia (1957-1980)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pedro Casero Vidal <\/strong><\/h2>\n<p>El presente trabajo estudia el desarrollo del arte contemporaneo en andalucia a lo largo de veinticinco a\u00f1os.Partiendo de los primeros intentos de renovacion se analizan las diversas estrategias que se suceden en los cincuenta y que se saldan con un relativo fracaso.  posteriormente se analizan las opciones personales que no tienen una incidencia global en el conjunto de la region.  dentro de las estrategias renovadoras el equipo 57 representa la culminacion, tanto por sus aportaciones teoricas, como por sus aportaciones plasticas.  el realismo y sus diversas opciones, lirico, critico y desfigurado, es analizado como una opcion de va desde los intereses personales a los de la colectividad, criticando el sistema politico franquista.  las diversas corrientes que tienen lugar en los setenta ocupan la atencion en el capitulo siguiente, ofreciendo una variedad de planteamientos artisticos que culmina con el triunfo la pintura a fines de los setenta y principios de los ochenta como practica artistica genuina en contraposicion a los planteamientos mas heterogeneos de los a\u00f1os anteriores.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte contemporaneo en andalucia (1957-1980).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte contemporaneo en andalucia (1957-1980). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pedro Casero Vidal <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Eugenio Carmona Mato<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Enrique Valdivieso Gonzalez <\/li>\n<li>Victor Perez Escolano (vocal)<\/li>\n<li>Ignacio Henares Cu\u00e9llar (vocal)<\/li>\n<li>Valeriano Bozal Fern\u00e1ndez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pedro Casero Vidal El presente trabajo estudia el desarrollo del arte contemporaneo en andalucia a lo largo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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