{"id":135950,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/repeticion-en-el-cine-remakes-y-secuelas-analisis-comparado-de-las-cuatro-versiones-de-el-cartero-siempre-llama-dos-veces\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"repeticion-en-el-cine-remakes-y-secuelas-analisis-comparado-de-las-cuatro-versiones-de-el-cartero-siempre-llama-dos-veces","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/repeticion-en-el-cine-remakes-y-secuelas-analisis-comparado-de-las-cuatro-versiones-de-el-cartero-siempre-llama-dos-veces\/","title":{"rendered":"Repeticion en el cine: \u00abremakes\u00bb y secuelas. analisis comparado de las cuatro versiones de \u00abel cartero siempre llama dos veces\u00bb."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carmen Torregrosa Povo <\/strong><\/h2>\n<p>El proposito de tesis es el de arrojar algo de luz sobre los fenomenos, muy extendidos pero muy poco estudiados, del remake y la secuela. El trabajo consta de tres partes: la primera esta dedicada a la intertextualidad; a su dimension teorica primero y a su concrecion cinematografica despues. La segunda, cuerpo central de la tesis, comienza con la busqueda de un marco epistemologico adecuado para explicar el \u00abremake\u00bb, pensado fundamentalmente a partir de los trabajos de derrida y su idea de la repeticion como unico \u00aborigen\u00bb posible. Continua con una aproximacion historica al \u00abremake\u00bb y fenomenos afines desde la que podriamos considerar su prehistoria hasta su momento de gloria en la era de los estudios y su \u00abdecadencia\u00bb en el cine contemporaneo. A partir de estos datos, se establece una acotacion teorica posible del objeto \u00abremake\u00bb.  por ultimo, la tesis presenta un analisis comparado de las cuatro versiones filmicas de la novela de james m. Cain \u00abthe postman always rings twice\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Repeticion en el cine: \u00abremakes\u00bb y secuelas. analisis comparado de las cuatro versiones de \u00abel cartero siempre llama dos veces\u00bb.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Repeticion en el cine: \u00abremakes\u00bb y secuelas. analisis comparado de las cuatro versiones de \u00abel cartero siempre llama dos veces\u00bb. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carmen Torregrosa Povo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Vicente Sanchez Biosca<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jenaro Talens Carmona <\/li>\n<li>Pilar Pedraza Martinez (vocal)<\/li>\n<li> De La Plaza Santiago Francisco J. (vocal)<\/li>\n<li>Jos\u00e9 Manuel Palacio Arranz (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carmen Torregrosa Povo El proposito de tesis es el de arrojar algo de luz sobre los fenomenos, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,1111],"tags":[250241,175462,4740,5322,31231,24296],"class_list":["post-135950","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-carmen-torregrosa-povo","tag-de-la-plaza-santiago-francisco-j","tag-jenaro-talens-carmona","tag-jose-manuel-palacio-arranz","tag-pilar-pedraza-Martinez","tag-vicente-sanchez-biosca"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/135950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=135950"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/135950\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=135950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=135950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=135950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}