{"id":135966,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/un-manuscrito-para-un-convento-el-libro-de-musica-dedicado-a-sor-luisa-en-1633-estudio-y-edicion-critica\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"un-manuscrito-para-un-convento-el-libro-de-musica-dedicado-a-sor-luisa-en-1633-estudio-y-edicion-critica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/un-manuscrito-para-un-convento-el-libro-de-musica-dedicado-a-sor-luisa-en-1633-estudio-y-edicion-critica\/","title":{"rendered":"Un manuscrito para un convento: el libro de musica dedicado a sor luisa en 1633. estudio y edicion critica."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Aguirre Rincon M. Soterra\u00f1a <\/strong><\/h2>\n<p>La tesis busca entender el libro de musica dedicado a sor luisa desde la prespectiva de la teoria de la comunicacion; intentando ver si fue un manuscrito creado exproffeso para un convento. Desde esta perspectiva se demuestra que la musica en el contenida esta cargado a traves de su seleccion y adaptacion de contenido social; y cultural que nos habla de los personajes que lo crearon y lo recibieron. Ademas este estudio va acompa\u00f1ado de una edicion integra del libro de sor luisa asi como de unas fichas dedicadas al musico practico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Un manuscrito para un convento: el libro de musica dedicado a sor luisa en 1633. estudio y edicion critica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Un manuscrito para un convento: el libro de musica dedicado a sor luisa en 1633. estudio y edicion critica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Aguirre Rincon M. Soterra\u00f1a <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda Antonia Virgili Blanquet<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Emilio Casares Rodicio <\/li>\n<li>Agueda Pedrero Encabo (vocal)<\/li>\n<li>John Griffiths (vocal)<\/li>\n<li>Antonio Cabeza (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Aguirre Rincon M. Soterra\u00f1a La tesis busca entender el libro de musica dedicado a sor luisa desde [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,9132,1111,12451],"tags":[12772,250261,250263,7634,250262,9723],"class_list":["post-135966","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-musica-y-musicologia","category-teoria-analisis-y-critica-de-las-bellas-artes","category-valladolid","tag-agueda-pedrero-encabo","tag-aguirre-rincon-m-soterrana","tag-antonio-cabeza","tag-emilio-casares-rodicio","tag-john-griffiths","tag-maria-antonia-virgili-blanquet"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/135966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=135966"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/135966\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=135966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=135966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=135966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}