{"id":13625,"date":"2001-05-11T00:00:00","date_gmt":"2001-05-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/ironia-y-libertad-denis-diderot-y-la-novela-moderna-jacques-el-fatalista-en-la-herencia-cervantina\/"},"modified":"2001-05-11T00:00:00","modified_gmt":"2001-05-11T00:00:00","slug":"ironia-y-libertad-denis-diderot-y-la-novela-moderna-jacques-el-fatalista-en-la-herencia-cervantina","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/ironia-y-libertad-denis-diderot-y-la-novela-moderna-jacques-el-fatalista-en-la-herencia-cervantina\/","title":{"rendered":"Ironia y libertad. denis diderot y la novela moderna. jacques el fatalista en la herencia cervantina."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Gomez Martinez Francisco Javier <\/strong><\/h2>\n<p>Se estudia el uso de ironia en los dialogos de diderot, asi como las influencias recibida por este fil\u00f3sofo de la ilustracion: la tradicion del dialogo socr\u00e1tico, la ironia de la novela cervantina, la novela inglesa del dieciocho (richardson y sterne, principalmente) y el pensamiento de raiz empirista o sensualista (shaftesbury). Todo ello se pone en conexion ademas con su filosofia de la naturaleza, construida siguiendo la estela de leibniz y de newton. De este modo, la novela jacques el fatalista aparece como un desarrollo ir\u00f3nico de las cuestiones filos\u00f3ficas del fatalismo y del determinismo.  el primer capitulo desarrolla ademas un analisis critico de distintos enfoques metodologicos y se plantea la cuestion de en que consiste leer un texto narrativo. Se examinan, sucesivamente, las aportaciones de m.M. bajtin, la hermeneutica, la estetica de la recepcion o la pragmatica, y se defiende la idea de una semiosis ilimitada de los textos literarios.  las novelas de diderot rompen con los criterios establecidos por la tradicion de verosimilitud o de verdad, desarrollando, hasta el grado m\u00e1ximo posible en su epoca, los artificos del dialogo y de la despersonalizacion. Por otro lado, desarrolla un uso de la ironia que es una mezcla de la ironia socratica y de la ironia puesta en juego por la novela de herencia cervantina, diferente de la ironia romantica desarrollada por kierkegaard o solger. el trabajo se cierra con una reflexion final sobre el uso de la ironia en la literatura contemporanea y su posible funcion en el pensamiento futuro.  la estructura del trabajo es la siguiente: 0.Introduccion. La novela como ruptura de una imagen del mundo. I. Ensayo de metodolog\u00eda. Ii. La ironia en la novela. Iii. Diderot en el espacio de la ilustracion (estetica y filosofia de la naturaleza), y iv. Jacques el fatalista en la herencia cervantina.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Ironia y libertad. denis diderot y la novela moderna. jacques el fatalista en la herencia cervantina.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Ironia y libertad. denis diderot y la novela moderna. jacques el fatalista en la herencia cervantina. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Gomez Martinez Francisco Javier <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 05\/11\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ana Mar\u00eda Leyra Soriano<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Antonio m. lopez molina <\/li>\n<li>rom\u00ed\u00a0 De la calle de la calle (vocal)<\/li>\n<li>alicia Villar ezcurra (vocal)<\/li>\n<li> LLuis Javieralvarez fernandez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gomez Martinez Francisco Javier Se estudia el uso de ironia en los dialogos de diderot, asi como [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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