{"id":13668,"date":"2001-07-11T00:00:00","date_gmt":"2001-07-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-video-animacion-aplicaciones-en-los-campos-del-desarrollo-social-y-comunitario-la-educacion-arta%c2%adstica-y-el-arte-terapia\/"},"modified":"2001-07-11T00:00:00","modified_gmt":"2001-07-11T00:00:00","slug":"la-video-animacion-aplicaciones-en-los-campos-del-desarrollo-social-y-comunitario-la-educacion-arta%c2%adstica-y-el-arte-terapia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-video-animacion-aplicaciones-en-los-campos-del-desarrollo-social-y-comunitario-la-educacion-arta%c2%adstica-y-el-arte-terapia\/","title":{"rendered":"La video-animaci\u00f3n: aplicaciones en los campos del desarrollo social y comunitario, la educaci\u00f3n art\u00edstica y el arte terapia"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ana M. Mampaso Mart\u00ednez <\/strong><\/h2>\n<p>El v\u00eddeo es una herramienta audiovisual que puede ser ampliamente utilizada para potenciar una comunicaci\u00f3n alternativa y descentralizada al igual que para potenciar la expresi\u00f3n art\u00edstica en los campos del desarrollo social y comunitario, en la educaci\u00f3n art\u00edstica (tanto en la educaci\u00f3n formal como en la formal de ni\u00f1os, ni\u00f1as y adultos) y en la joven disciplina del arte terapia, principalmente cuando se utiliza mediante procesos grupales participativos.  en la actualidad, el campo de la actividad art\u00edstica se ha ampliado a las \u00e1reas de los medios de comunicaci\u00f3n, entre ellos el v\u00eddeo. La herramienta v\u00eddeo puede ser empleada por educadores y educadoras art\u00edsticos y por parte terapeutas ampliando las fuentes de la ense\u00f1anza art\u00edstica y del arte terapia m\u00e1s all\u00e1 de los mecanismos tradicionales del dibujo, la pintura y la escultura.  dentro de las producciones audiovisuales, las animaciones posibilitan una gran libertad creativa y es donde se hace m\u00e1s patente la \u00edntima relaci\u00f3n existente entre el cine y las artes pl\u00e1sticas. A trav\u00e9s de la video-animaci\u00f3n se puede facilitar la expresi\u00f3n de ideas, sentimientos y estimular la experimentaci\u00f3n, la creatividad y el aprendizaje del lenguaje audiovisual de la animaci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La video-animaci\u00f3n: aplicaciones en los campos del desarrollo social y comunitario, la educaci\u00f3n art\u00edstica y el arte terapia<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La video-animaci\u00f3n: aplicaciones en los campos del desarrollo social y comunitario, la educaci\u00f3n art\u00edstica y el arte terapia <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ana M. Mampaso Mart\u00ednez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/11\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Toran Pelaez Luis Enrique<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: margarita Schmidt noguera <\/li>\n<li>Antonio Cuenca escribano (vocal)<\/li>\n<li>ricardo Marin viadel (vocal)<\/li>\n<li>rosario Naranjo lopez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ana M. Mampaso Mart\u00ednez El v\u00eddeo es una herramienta audiovisual que puede ser ampliamente utilizada para potenciar [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,4735,269,1111],"tags":[44307,44308,7471,4102,44309,4738],"class_list":["post-13668","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-comunicaciones-sociales","category-sociologia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-ana-m-mampaso-Martinez","tag-antonio-cuenca-escribano","tag-margarita-schmidt-noguera","tag-ricardo-marin-viadel","tag-rosario-naranjo-lopez","tag-toran-pelaez-luis-enrique"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/13668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=13668"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/13668\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=13668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=13668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=13668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}