{"id":13682,"date":"2001-08-11T00:00:00","date_gmt":"2001-08-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-esteticoplastico-y-tecnico-de-la-obra-de-jose-maria-lopez-mezquita-1900-1926\/"},"modified":"2001-08-11T00:00:00","modified_gmt":"2001-08-11T00:00:00","slug":"estudio-esteticoplastico-y-tecnico-de-la-obra-de-jose-maria-lopez-mezquita-1900-1926","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/estudio-esteticoplastico-y-tecnico-de-la-obra-de-jose-maria-lopez-mezquita-1900-1926\/","title":{"rendered":"Estudio est\u00e9tico,pl\u00e1stico y t\u00e9cnico de la obra de jos\u00e9 mar\u00eda l\u00f3pez mezquita 1900-1926"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Jose Casado Romero <\/strong><\/h2>\n<p>Estudio y valoraci\u00f3n de la obra del pintor jos\u00e9 mar\u00eda l\u00f3pez mezquita desde los presupuestos de la expresi\u00f3n pl\u00e1stica, est\u00e9tica y t\u00e9cnica. Se han abordado los siguientes contenidos:  an\u00e1lisis, lectura e interpretaci\u00f3n de las leyes internas de la obra.  estudio de la composici\u00f3n formal, contendio y significante.  an\u00e1lisis t\u00e9cnico.  desarrollo de las claves de los planteamientos est\u00e9ticos del pintor.  profundizaci\u00f3n en los rasgos internos de la estructura formal de su obra.  revisi\u00f3n del proceso creativo.  planteamiento de posibles etapas creativas.  valoraci\u00f3n est\u00e9tico-pl\u00e1stica de su pintura y trayectoria creativa.  obtenci\u00f3n de conclusiones.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio est\u00e9tico,pl\u00e1stico y t\u00e9cnico de la obra de jos\u00e9 mar\u00eda l\u00f3pez mezquita 1900-1926<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio est\u00e9tico,pl\u00e1stico y t\u00e9cnico de la obra de jos\u00e9 mar\u00eda l\u00f3pez mezquita 1900-1926 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Jose Casado Romero <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 08\/11\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel G\u00f3mez Rivero<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jos\u00e9 S\u00e1nchez-carralero l\u00f3pez <\/li>\n<li> Calle gonz\u00e1lez Juan  Manuel (vocal)<\/li>\n<li>Juan Garcia pedraza (vocal)<\/li>\n<li>rosa elvira Caama\u00f1o fernandez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Jose Casado Romero Estudio y valoraci\u00f3n de la obra del pintor jos\u00e9 mar\u00eda l\u00f3pez mezquita desde [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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