{"id":136897,"date":"2026-01-12T17:01:18","date_gmt":"2026-01-12T17:01:18","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-en-la-rioja-1950-1985\/"},"modified":"2026-01-12T17:01:18","modified_gmt":"2026-01-12T17:01:18","slug":"arte-en-la-rioja-1950-1985","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/arte-en-la-rioja-1950-1985\/","title":{"rendered":"Arte en la rioja 1950-1985."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Labandibar Garcia Jos\u00e9 Luis <\/strong><\/h2>\n<p>La presente tesis abarca un estudio del arte riojano durante los ultimos treinta y cinco a\u00f1os, para cuya elaboracion se ha utilizado referencias bibiograficas y hemerograficas, complementadas con el contacto directo con los propios artistas y entidades publicas y privadas relacionadas con las actividades plasticas, diapositivas, fotografias y sobre todo la contemplacion en directo de la obra, encuestas realizadas a elementos integrantes o participantes del ambito artistico riojano, asi como la propia experiencia derivada de la inmersion en la problematica del arte regional durante los a\u00f1os de realizacion de la investigacion. Ello deriva como consecuencia un estudio de las galerias tanto de la ciudad como de la region; una plasmacion de la situacion sociologica cultural riojana frente a la contemporanea en el resto del pais con exhaustiva catalogacion de las criticas artisticas que durante estos ultimos decenios se han producido; investigacion de los grupos, etc.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte en la rioja 1950-1985.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte en la rioja 1950-1985. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Labandibar Garcia Jos\u00e9 Luis <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Azpeitia Burgos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Lacarra Ducay M. Carmen <\/li>\n<li>Anna Mar\u00eda Guasch Ferrer (vocal)<\/li>\n<li>Salvador Victoria Marz (vocal)<\/li>\n<li>Wifredo Rinc\u00f3n Garc\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Labandibar Garcia Jos\u00e9 Luis La presente tesis abarca un estudio del arte riojano durante los ultimos treinta [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,2563,222,13610],"tags":[36355,50763,251391,87022,239974,42149],"class_list":["post-136897","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte-de-los-siglos-xix-y-xx","category-historias-especializadas","category-zaragoza","tag-angel-azpeitia-burgos","tag-anna-maria-guasch-ferrer","tag-labandibar-garcia-jose-luis","tag-lacarra-ducay-m-carmen","tag-salvador-victoria-marz","tag-wifredo-rincon-garcia"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/136897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=136897"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/136897\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=136897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=136897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=136897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}