{"id":13715,"date":"2001-09-11T00:00:00","date_gmt":"2001-09-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-obras-de-heiner-ma%c2%bcller-en-torno-a-shakespeare-reescritura-parodica\/"},"modified":"2001-09-11T00:00:00","modified_gmt":"2001-09-11T00:00:00","slug":"las-obras-de-heiner-ma%c2%bcller-en-torno-a-shakespeare-reescritura-parodica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/las-obras-de-heiner-ma%c2%bcller-en-torno-a-shakespeare-reescritura-parodica\/","title":{"rendered":"Las obras de heiner m\u00c1\u00bcller en torno a shakespeare: reescritura par\u00f3dica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ana Rosario Calero Valera <\/strong><\/h2>\n<p>Partiendo de la definici\u00f3n que linda hutcheon ofrece sobre la parodia, se estudian las cinco obras dram\u00e1sticas que heiner m\u00ed\u00bcller escribi\u00f3 en torno a shakespeare: macbeth (nach shakespeare),anatomie titus fall of rome ein shakespearekommentar, hamletmaschine, waldst\u00ed\u00bcsck y bidbeschreiburng. El orden de aparici\u00f3n de las parodias se basa en la mayor o menor presencia efectiva del texo shakespeariano en la obra de m\u00ed\u00bcller. En este trabajo se analizan las diferentes t\u00e9cncias utilizadas por m\u00ed\u00bcller para aunar en sus obras la tradici\u00f3n shakespearina y la diferencia, como pueden ser la reducci\u00f3n y ampliaci\u00f3n de escenas y personajes o la inseci\u00f3n de diferentes materiales, resultando una obra neuva que refleja la concepci\u00f3n que heiner m\u00ed\u00bcller ten\u00eda del mundo y de la historia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las obras de heiner m\u00c1\u00bcller en torno a shakespeare: reescritura par\u00f3dica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las obras de heiner m\u00c1\u00bcller en torno a shakespeare: reescritura par\u00f3dica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ana Rosario Calero Valera <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/11\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miguel Teruel Pozas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda  Luisa Siguan boehmer <\/li>\n<li> Sag\u00ed\u00bces navarro Jos\u00e9 Luis (vocal)<\/li>\n<li>Javier Ordu\u00f1a pizarro (vocal)<\/li>\n<li> Hidalgo ciudad Juan  Carlos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ana Rosario Calero Valera Partiendo de la definici\u00f3n que linda hutcheon ofrece sobre la parodia, se estudian [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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