{"id":137524,"date":"2026-01-12T17:06:16","date_gmt":"2026-01-12T17:06:16","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/pintura-italiana-del-siglo-xvi-en-espana-leonardo-y-los-leonarescos-rafael-y-su-escuela\/"},"modified":"2026-01-12T17:06:16","modified_gmt":"2026-01-12T17:06:16","slug":"pintura-italiana-del-siglo-xvi-en-espana-leonardo-y-los-leonarescos-rafael-y-su-escuela","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/pintura-italiana-del-siglo-xvi-en-espana-leonardo-y-los-leonarescos-rafael-y-su-escuela\/","title":{"rendered":"Pintura italiana del siglo xvi en espa\u00f1a: leonardo y los leonarescos, rafael y su escuela."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Ruiz Manero Jos\u00e9 M. <\/strong><\/h2>\n<p>Se pretende reunir y catalogar los originales y copias de leonardo y los leonardescos y de rafael y sus discipulos de los que existe noticia en espa\u00f1a.  las conclusiones mas significativas a que se llega son las siguientes:  1) se duda que haya habido pinturas de leonardo en espa\u00f1a.            2) ha habido y hay abundantes pinturas de seguidores lombardos del artista. En este sentido se incrementa sensiblemente el catalogo de la obra de giampietrino y de luini.  3) desde el siglo xvi hay en espa\u00f1a bastantes originales y copias de rafael.  4) se reivindica el rafaelismo de las obras de rafael existentes en espa\u00f1a a la luz de los ultimos avances tecnicos.                      5) respecto a los discipulos de rafael, se incrementa sensiblemente el catalogo de la produccion de perino del vaga y se cuestionan algunas atribuciones tradicionales a giulio romano.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Pintura italiana del siglo xvi en espa\u00f1a: leonardo y los leonarescos, rafael y su escuela.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Pintura italiana del siglo xvi en espa\u00f1a: leonardo y los leonarescos, rafael y su escuela. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Ruiz Manero Jos\u00e9 M. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> P\u00e9rez S\u00e1nchez Alfonso Emilio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Manuel Pita Andrade <\/li>\n<li>Enrique Valdivieso Gonzalez (vocal)<\/li>\n<li>Jos\u00e9 Rogelio Buendia  Mu\u00f1oz (vocal)<\/li>\n<li>Fernando Benito Domenech (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ruiz Manero Jos\u00e9 M. Se pretende reunir y catalogar los originales y copias de leonardo y los [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222],"tags":[11110,64759,3683,30089,5603,252096],"class_list":["post-137524","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","tag-enrique-valdivieso-gonzalez","tag-fernando-benito-domenech","tag-jose-manuel-pita-andrade","tag-jose-rogelio-buendia-munoz","tag-perez-sanchez-alfonso-emilio","tag-ruiz-manero-jose-m"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/137524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=137524"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/137524\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=137524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=137524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=137524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}