{"id":137779,"date":"2026-01-12T17:08:15","date_gmt":"2026-01-12T17:08:15","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-escultor-en-la-vejez-el-aspecto-fisico-relacionado-con-la-obra-de-gran-tamano-y-materia-definitiva-su-reflejo-en-la-historia-del-arte\/"},"modified":"2026-01-12T17:08:15","modified_gmt":"2026-01-12T17:08:15","slug":"el-escultor-en-la-vejez-el-aspecto-fisico-relacionado-con-la-obra-de-gran-tamano-y-materia-definitiva-su-reflejo-en-la-historia-del-arte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-escultor-en-la-vejez-el-aspecto-fisico-relacionado-con-la-obra-de-gran-tamano-y-materia-definitiva-su-reflejo-en-la-historia-del-arte\/","title":{"rendered":"\u00abel escultor en la vejez el aspecto fisico relacionado con la obra de gran tama\u00f1o y materia definitiva. su reflejo en la historia del arte\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Vicente Ferrero Molina <\/strong><\/h2>\n<p>El escultor en la vejez, el aspecto fisico relacionado con la obra de gran tama\u00f1o y materia definitiva. Su reflejo en la historia del arte.  la presente tesis trata de explicar por que en una etapa de la vida del escultor su obra acusa alteraciones en el \u00abhacer\u00bb, no tanto en el concebir, dignas de estudio.  la relacion de la escultura de grandes dimensiones y materia definitiva con la ancianidad del artifice es lo que estudio desde mi punto de vista de escultor, analizando lo tecnico y estetico de la obra y separandolo a la vez para con la mayor objetividad posible no confundir conceptos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abel escultor en la vejez el aspecto fisico relacionado con la obra de gran tama\u00f1o y materia definitiva. su reflejo en la historia del arte\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abel escultor en la vejez el aspecto fisico relacionado con la obra de gran tama\u00f1o y materia definitiva. su reflejo en la historia del arte\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Vicente Ferrero Molina <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Garin Llombart Felipe Vicente<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Garin Ortiz De Taranco Felipe M. <\/li>\n<li>Francisco Jos\u00e9 Portela Sandoval (vocal)<\/li>\n<li>Jos\u00e9 Esteve Edo (vocal)<\/li>\n<li>Adr\u00edan Esp\u00ed Vald\u00e9s (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Vicente Ferrero Molina El escultor en la vejez, el aspecto fisico relacionado con la obra de gran [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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