{"id":137786,"date":"2026-01-12T17:08:19","date_gmt":"2026-01-12T17:08:19","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/jose-esteve-edo-escultor\/"},"modified":"2026-01-12T17:08:19","modified_gmt":"2026-01-12T17:08:19","slug":"jose-esteve-edo-escultor","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/jose-esteve-edo-escultor\/","title":{"rendered":"Jose esteve edo, escultor."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Llanas Sanz Ana M. <\/strong><\/h2>\n<p>El objetivo de esta tesis es la recopilacion, catalogacion y analisis de la obra del escultor jose esteve edo. En la primera parte se esboza una biografia del artista para lo que se hace un repaso del panorama artistico y sociopolitico de su epoca. La segunda parte, es nuestra contribucion al estudio de la escultura de esteve edo, clasificadas en seis grupos y ordenadas cronologicamente dentro de cada grupo, se hace una relacion, de las 245 obras que hemos catalogado 163 de ellas reproducidas fotograficamente y analizando desde un punto de vista formal, escultorico, las mas representativas de cada grupo y de cada epoca dentro de su grupo.  en la tercera parte se discute la aportacion de esteve edo, a la escultura de nuestro tiempo, intentando y proponiendo una correcta ubicacion tanto de su obra como de el mismo, resaltando su doble faceta de artista y de profesional de la escultura.  la parte cuarta incluye una revision bibliografica, que ha intentado sea exhaustiva en lo referente a publicaciones sobre esteve edo.  finalmente, a modo de apendice, se ecoge el resumen de nuestras conversaciones con el artista, asi como un apartado documental.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Jose esteve edo, escultor.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Jose esteve edo, escultor. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Llanas Sanz Ana M. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Blasco Carrascosa Juan  Angel<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jaume Coll Puig <\/li>\n<li> De Soto Arandiga Ramon (vocal)<\/li>\n<li> Yturralde Lopez Jos\u00e9 Mar\u00eda (vocal)<\/li>\n<li>Carmen Senabre Llabata (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Llanas Sanz Ana M. El objetivo de esta tesis es la recopilacion, catalogacion y analisis de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4363,16820,1111],"tags":[12273,36604,48328,20414,252337,16907],"class_list":["post-137786","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-politecnica-de-valencia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-blasco-carrascosa-juan-angel","tag-carmen-senabre-llabata","tag-de-soto-arandiga-ramon","tag-jaume-coll-puig","tag-llanas-sanz-ana-m","tag-yturralde-lopez-jose-maria"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/137786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=137786"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/137786\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=137786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=137786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=137786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}