{"id":137794,"date":"2026-01-12T17:08:20","date_gmt":"2026-01-12T17:08:20","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-escultura-monumental-publica-en-la-ciudad-de-alicante-durante-los-siglos-xix-y-xx\/"},"modified":"2026-01-12T17:08:20","modified_gmt":"2026-01-12T17:08:20","slug":"la-escultura-monumental-publica-en-la-ciudad-de-alicante-durante-los-siglos-xix-y-xx","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-escultura-monumental-publica-en-la-ciudad-de-alicante-durante-los-siglos-xix-y-xx\/","title":{"rendered":"La escultura monumental publica en la ciudad de alicante durante los siglos xix y xx."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carmen Serrano Llopis <\/strong><\/h2>\n<p>El contenido de la tesis, consta de una introduccion al mundo de la escultura en la ciudad de alicante, durante los siglos xix y xx, con el fin de valorar y conocer los recursos humanos y el entorno artistico en esta modalidad. Un primer apartado trata de la evolucion urbana de la ciudad de alicante, con el fin de constatar, su crecimiento y la paulatina aparicion de espacios donde luego se ubicaran las obras estudiadas.  la tesis continua con el estudio pormenorizado de cada uno de los 34 conjuntos conservados en la ciudad. Cada uno de los capitulos van acompa\u00f1ados de dise\u00f1os, fotografias, planos ineditos de los proyectos realizandose una catalogacion de los mismos.  y tras la exposicion detallada de este contenido esencial de la tesis hemos pasado, a las conclusiones, desarrollando el balance final de nuestro trabajo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La escultura monumental publica en la ciudad de alicante durante los siglos xix y xx.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La escultura monumental publica en la ciudad de alicante durante los siglos xix y xx. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carmen Serrano Llopis <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Adr\u00edan Esp\u00ed Vald\u00e9s<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Felipe Garin Llombart <\/li>\n<li>Rafael Navarro Mallebrera (vocal)<\/li>\n<li>Antonio Tom\u00e1s Sanmart\u00edn (vocal)<\/li>\n<li>Irene Garcia Anton (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carmen Serrano Llopis El contenido de la tesis, consta de una introduccion al mundo de la escultura [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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