{"id":138213,"date":"2026-01-12T17:33:35","date_gmt":"2026-01-12T17:33:35","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-nacimiento-de-la-musica-en-el-nino\/"},"modified":"2026-01-12T17:33:35","modified_gmt":"2026-01-12T17:33:35","slug":"el-nacimiento-de-la-musica-en-el-nino","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/psicologia\/el-nacimiento-de-la-musica-en-el-nino\/","title":{"rendered":"El nacimiento de la musica en el ni\u00f1o"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Barcelo Ginard Bartomeu Joan <\/strong><\/h2>\n<p>\u00abel nacimiento de la musica en el ni\u00f1o\u00bb es una investigacion que se interesa por describir y analizar los mecanismos que explican el proceso mediante el cual el ni\u00f1o desarrolla, durante los primeros dos a\u00f1os de vida, su competencia musical, a la vez que objetiva las relaciones con el mundo de los sonidos. El trabajo metodologico se centra especialmente en la observacion pormenorizada de las conductas psicomusicales desde el nacimiento hasta la aparicion de las conductas musicales integradas, momento en el que se consolidan los primeros comportamientos autonomos sobre los materiales musicales.  la investigacion ha confeccionado mas de 600 observaciones de campo relativas a los comportamientos motrices, a las emisiones verbales y musicales, a las exploraciones vocales y a las reacciones a los sonidos y musicas de dos ni\u00f1os, hijos del autor. Las conclusiones mas significativas se centran en tres areas: 1) la confirmacion de la utilidad del paradigma constructivista piagetiano para comprender los dos primeros a\u00f1os de vida musical; 2) la clasificacion evolutiva de las conductas observadas en dos fases, premusical y musical, junto a la adaptacion de los contenidos de las etapas sensomotrices generales a las propias conductas musicales y 3) las interrelaciones entre el desarrollo musical y el linguistico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El nacimiento de la musica en el ni\u00f1o<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El nacimiento de la musica en el ni\u00f1o <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Barcelo Ginard Bartomeu Joan <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Illes balears<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alfredo Gomez Barnusell<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Oriol Martorell Codina <\/li>\n<li>P\u00edo Tur Mayans (vocal)<\/li>\n<li>Mar\u00eda  Carmen Triado Tur (vocal)<\/li>\n<li>Eduardo Rigo Carratal\u00e1 (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Barcelo Ginard Bartomeu Joan \u00abel nacimiento de la musica en el ni\u00f1o\u00bb es una investigacion que se 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