{"id":138392,"date":"2026-01-12T17:35:05","date_gmt":"2026-01-12T17:35:05","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-neorrealismo-en-espana-tendencias-realistas-en-el-cine-espanol\/"},"modified":"2026-01-12T17:35:05","modified_gmt":"2026-01-12T17:35:05","slug":"el-neorrealismo-en-espana-tendencias-realistas-en-el-cine-espanol","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-neorrealismo-en-espana-tendencias-realistas-en-el-cine-espanol\/","title":{"rendered":"El neorrealismo en espa\u00f1a. tendencias realistas en el cine espa\u00f1ol."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Enrique Monterde Lozoya <\/strong><\/h2>\n<p>Analisis de la recepcion comercial y fortuna critica del cine neorrealista italiano en espa\u00f1a, asi como su influencia sobre el cine espa\u00f1ol, tanto en la practica filmica como en su constitucion como modelo de las tendencias renovadoras que se inscriben en el conjunto de la cultura realista de los a\u00f1os cincuenta y primeros sesenta.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El neorrealismo en espa\u00f1a. tendencias realistas en el cine espa\u00f1ol.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El neorrealismo en espa\u00f1a. tendencias realistas en el cine espa\u00f1ol. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Enrique Monterde Lozoya <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miquel Porter Moix<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Roman Gubern Garriga-nogu\u00e9s <\/li>\n<li>Inmaculada Juli\u00e1n Gonz\u00e1lez (vocal)<\/li>\n<li> Plaza Santiago Fco. Javier (vocal)<\/li>\n<li>Jenaro Talens Carmona (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Enrique Monterde Lozoya Analisis de la recepcion comercial y fortuna critica del cine neorrealista italiano en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,147,5547,104,1014,222,1111],"tags":[20416,4740,99044,34091,12494,36703],"class_list":["post-138392","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-historia","category-historia-del-arte","category-historias-especializadas","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-inmaculada-julian-gonzalez","tag-jenaro-talens-carmona","tag-jose-enrique-monterde-lozoya","tag-miquel-porter-moix","tag-plaza-santiago-fco-javier","tag-roman-gubern-garriga-nogues"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/138392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=138392"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/138392\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=138392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=138392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=138392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}