{"id":138465,"date":"2026-01-12T17:35:43","date_gmt":"2026-01-12T17:35:43","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-teatro-en-madrid-durante-la-dictadura-de-primo-de-rivera-1923-1930\/"},"modified":"2026-01-12T17:35:43","modified_gmt":"2026-01-12T17:35:43","slug":"el-teatro-en-madrid-durante-la-dictadura-de-primo-de-rivera-1923-1930","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-teatro-en-madrid-durante-la-dictadura-de-primo-de-rivera-1923-1930\/","title":{"rendered":"El teatro en Madrid durante la dictadura de primo de rivera (1923-1930)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> M\u00aa Jos\u00e9 S\u00e1nchez-cascado Blanco <\/strong><\/h2>\n<p>La tesis se divide en tres partes: estudio de la cultura en Madrid (1923-1930): la situacion teatral en sus dos vertientes: teatro comercial y alternativo. Principales corrientes teatrales y representantes. Incidencia de la censura en las actividades teatrales-culturales: el teatro como espectaculo, diagnostico de los criticos.\/\/2a parte: la organizacion teatral: analisis, a traves de los boletines y la prensa, de las posturas de empresarios, actores, autores y dependencias, batallas teatrales de estas entidades, centros de interes y defensa de concepciones economico-ideologicas.\/\/3a parte: analisis de tres obras de teatro alternativo: un sue\u00f1o de la razon, de cipriano rivas cherif; el pedigree de ricardo baroja y los medios seres de ramon gomez de la serna.  imposibilidad o posibilidad de un teatro de renovacion-innovacion. \/\/ Documentos: cartelera de estrenos; datos economicos (recaudacion derechos de autor); censura teatral y general; informacion boletines y prensa.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El teatro en Madrid durante la dictadura de primo de rivera (1923-1930).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El teatro en Madrid durante la dictadura de primo de rivera (1923-1930). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 M\u00aa Jos\u00e9 S\u00e1nchez-cascado Blanco <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Joaquin Marco Revilla<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Lu\u00eds Izquierdo Salvador <\/li>\n<li>Manuel Aznar Soler (vocal)<\/li>\n<li>Angel Berenguer Castellary (vocal)<\/li>\n<li>Sergio Beser Orti (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de M\u00aa Jos\u00e9 S\u00e1nchez-cascado Blanco La tesis se divide en tres partes: estudio de la cultura en Madrid [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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