{"id":138520,"date":"2026-01-12T17:36:09","date_gmt":"2026-01-12T17:36:09","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-en-cadiz-1820-1900-litografia-panoramas-fotografia-y-cinematografo\/"},"modified":"2026-01-12T17:36:09","modified_gmt":"2026-01-12T17:36:09","slug":"la-imagen-en-cadiz-1820-1900-litografia-panoramas-fotografia-y-cinematografo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-imagen-en-cadiz-1820-1900-litografia-panoramas-fotografia-y-cinematografo\/","title":{"rendered":"La imagen en cadiz (1820-1900): litografia, panoramas, fotografia y cinematografo."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rafael Garofano Sanchez <\/strong><\/h2>\n<p>La cultura de la imagen en la ciudad de cadiz, hecha salvedad de la pintura, durante la edad contemporanea surge ya desde 1817 cuando la real sociedad economica gaditana de amigos del pais se plantea la conveniencia de que la ciudad cuente con una imprenta litografica, la cual se instalaria ya en 1920, seguida de dos mas, en 1835 y en 1842. En 1841 ya se conoce el daguerrotipo y, a paritr de entonces, una serie de hitos van jalonando la historia de la fotografia gaditana en consonancia con Madrid y barcelona, las adelantadas. Esta rapida aclimatacion, asi como los paralelos espectaculos \u00abpre-cinematograficos\u00bb, situan a la sociedad gaditana como pionera en la aceptacion de una cultura de la \u00abimagen multiplicada\u00bb que, antes, solo suponiamos propia de capitales mejor dotadas y que, consecuentemente, preparan la plena integracion del cinematografo asi como explican la numerosa produccion propia y creativa de los especialistas gaditanos en dichas tecnicas, tanto cuanto practicos como teoricos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La imagen en cadiz (1820-1900): litografia, panoramas, fotografia y cinematografo.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La imagen en cadiz (1820-1900): litografia, panoramas, fotografia y cinematografo. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rafael Garofano Sanchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 C\u00e1diz<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Fernando P\u00e9rez Mulet<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Banda Vargas Antonio  De La <\/li>\n<li> Millan Chivite Jos\u00e9 Luis (vocal)<\/li>\n<li>Manuel Moreno Puppo (vocal)<\/li>\n<li> Suarez Garmendia Jos\u00e9 Manuel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rafael Garofano Sanchez La cultura de la imagen en la ciudad de cadiz, hecha salvedad de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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