{"id":138678,"date":"2026-01-12T17:37:32","date_gmt":"2026-01-12T17:37:32","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/the-narrator-in-three-novels-by-william-faulkner-focalizers-and-reflectors\/"},"modified":"2026-01-12T17:37:32","modified_gmt":"2026-01-12T17:37:32","slug":"the-narrator-in-three-novels-by-william-faulkner-focalizers-and-reflectors","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/the-narrator-in-three-novels-by-william-faulkner-focalizers-and-reflectors\/","title":{"rendered":"The narrator in three novels by william faulkner: focalizers and reflectors"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Marta Dahlgren <\/strong><\/h2>\n<p>La tesis resume los distintos enfoques de la critica literaria de la decada de los 80, con especial enfasis sobre la narratolog\u00eda en el analisis del narrador.  contrasta los terminos de focalizador en el sentido genettiano y reflector tal como lo definen los prefacios de henry james.  se compara el uso del termino \u00abembedding\u00bb a nivel de oracion y en el discurso narrativo de las novelas de william faulkner light in august, absalom] absalom] e intruder in the dust, con animo de determinar la posibilidad del analisis con herramientas narratologicas en estas novelas. Se establece una comparacion entre novelas de narradores multiples y novelas de punto de vista multiple.  el analisis de las obras de faulkner intenta demostrar la eficacia del uso de narracion en tercera persona sin narrador caracterizado intradiegetico en combinacion con angulos perspectivales que fuerzan la inclusion del lector dentro del ambito de los personajes.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>The narrator in three novels by william faulkner: focalizers and reflectors<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 The narrator in three novels by william faulkner: focalizers and reflectors <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Marta Dahlgren <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Miguez Ben<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Javier Coy Ferrer <\/li>\n<li>Catalina Montes Mozo (vocal)<\/li>\n<li>F\u00e9lix Mart\u00edn Guti\u00e9rrez (vocal)<\/li>\n<li>Manuel Barbeito Varela (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Marta Dahlgren La tesis resume los distintos enfoques de la critica literaria de la decada de los 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