{"id":138983,"date":"2026-01-12T17:40:02","date_gmt":"2026-01-12T17:40:02","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-pintura-contemporanea-de-paisaje-en-las-canarias-orientales\/"},"modified":"2026-01-12T17:40:02","modified_gmt":"2026-01-12T17:40:02","slug":"la-pintura-contemporanea-de-paisaje-en-las-canarias-orientales","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-pintura-contemporanea-de-paisaje-en-las-canarias-orientales\/","title":{"rendered":"La pintura contemporanea de paisaje en las canarias orientales."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Arroyo Fernandez M. Dolores <\/strong><\/h2>\n<p>La pintura de paisaje en canarias se inicio en tenerife a mediados del siglo xix, aunque fue a comienzos del siglo xx cuando nacio un verdadero regionalismo canario, definidor de rasgos propios. En gran canaria el paisaje realista se manifesto en la obra de nicolas massieu y falcon y sus discipulos. La tecnica impresionista fue introducida por el paisajista catalan eliseo meifren, maestro, de nestor m. Fdez. De la torre, juan botas ghirlanda y tomas gomez bosch. Pero el gran paisajista impresionista fue nicolas massieu y matos, \u00abel pintor de gran canaria\u00bb.  los pintores indigenistas de la escuela lujan, en las palmas, buscaron nuevas alternativas en la concepcion de la naturaleza canaria: jorge oramas, santiago santana, felo monzon, jesus arencibia ofrecieron en los a\u00f1os 30 una vision, plastica e ideologicamente, enraizada en lo peculiar isle\u00f1o.  despues de una epoca de posguerra en que se estimulo el cultivo del paisaje a traves de las bienales del gabinete literario, 1a.  agrupacion de acuarelistas etc., Los mas jovenes pujan por extraer nuevos aspectos de su entorno.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La pintura contemporanea de paisaje en las canarias orientales.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La pintura contemporanea de paisaje en las canarias orientales. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Arroyo Fernandez M. Dolores <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Hernandez Perera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Jos\u00e9 Portela Sandoval <\/li>\n<li>Carlos P\u00e9rez Reyes (vocal)<\/li>\n<li>Victor Nieto Alcaide (vocal)<\/li>\n<li>Alberto Darias Pr\u00edncipe (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Arroyo Fernandez M. Dolores La pintura de paisaje en canarias se inicio en tenerife a mediados del [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,986,104,1014,222,3806,1111],"tags":[5377,253473,5816,5884,5374,14793],"class_list":["post-138983","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-complutense-de-madrid","category-historia","category-historia-del-arte","category-historias-especializadas","category-pintura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-alberto-darias-principe","tag-arroyo-fernandez-m-dolores","tag-carlos-perez-reyes","tag-francisco-jose-portela-sandoval","tag-jesus-hernandez-perera","tag-victor-nieto-alcaide"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/138983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=138983"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/138983\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=138983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=138983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=138983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}