{"id":139013,"date":"2026-01-12T17:40:12","date_gmt":"2026-01-12T17:40:12","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-lenguaje-del-cine-semiologia-del-discurso-filmico\/"},"modified":"2026-01-12T17:40:12","modified_gmt":"2026-01-12T17:40:12","slug":"el-lenguaje-del-cine-semiologia-del-discurso-filmico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/el-lenguaje-del-cine-semiologia-del-discurso-filmico\/","title":{"rendered":"El lenguaje del cine: semiolog\u00eda del discurso filmico."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eugenio Ca\u00f1izares Fernandez <\/strong><\/h2>\n<p>La tesis pretende ser un estudio, a la vez diacronico y sincronico, de las teorias sobre el cinematografo desde una perspectiva linguistica. Consta de cuatro partes: en la primera se resumen las teorias tradicionales, anteriores a 1964, las cuales emplearon el termino \u00ablenguaje\u00bb aplicado al cine, de una forma basicamente metaforica. En la segunda parte, tras presentar una sintesis del desarrollo de las investigaciones semiologicas, se resumen las aportaciones mas destacadas de la semiolog\u00eda del arte y presenta los principios teoricos de la semiolog\u00eda del cine.  en la tercera parte se estudian las investigaciones sobre semiolog\u00eda del cine realizadas en francia, centradas en la obra de christian metz.  la cuarta parte contiene un resumen de las aportaciones a la semiolog\u00eda del cine realizadas en italia, alemania, la antigua urss, espa\u00f1a, estados unidos y canada.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El lenguaje del cine: semiolog\u00eda del discurso filmico.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El lenguaje del cine: semiolog\u00eda del discurso filmico. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eugenio Ca\u00f1izares Fernandez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Alvar Lopez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Gregorio Salvador Caja <\/li>\n<li>Jos\u00e9 Fradejas Lebrero (vocal)<\/li>\n<li>Antonio Prieto Martin (vocal)<\/li>\n<li>Francisco Moreno Fern\u00e1ndez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eugenio Ca\u00f1izares Fernandez La tesis pretende ser un estudio, a la vez diacronico y sincronico, de las [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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