{"id":139043,"date":"2026-01-12T17:40:38","date_gmt":"2026-01-12T17:40:38","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/generacion-de-los-70-analisis-de-las-formas-expresivas-de-los-artistas-canarios-de-la-decada-1970-1980\/"},"modified":"2026-01-12T17:40:38","modified_gmt":"2026-01-12T17:40:38","slug":"generacion-de-los-70-analisis-de-las-formas-expresivas-de-los-artistas-canarios-de-la-decada-1970-1980","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/generacion-de-los-70-analisis-de-las-formas-expresivas-de-los-artistas-canarios-de-la-decada-1970-1980\/","title":{"rendered":"Generacion de los 70: analisis de las formas expresivas de los artistas canarios de la decada 1970-1980."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ram\u00f3n D\u00edaz Padilla <\/strong><\/h2>\n<p>La tesis trata del estudio de la obra y las trayectorias artisticas de un numeroso grupo de artistas canarios conocidos por el apelativo de \u00abgeneracion de los 70\u00bb.  estos artistas, surgidos en la escena canaria durante la decada de los setenta, representan un revulsivo transgresor en el mortecino ambiente artistico canario de esos a\u00f1os. Sus lenguajes van desde unas neofiguraciones iniciales de corte testimonial y dramatico, a otro de indole surreal, onirico o poetico. Por otro lado, otros practican desde las derivas del expresionismo abstracto hasta una abstraccion postpictorica. Comprende, ademas, una amplisima compilacion bibliografica, biografias, y una extensa referencia a la difusion artistica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Generacion de los 70: analisis de las formas expresivas de los artistas canarios de la decada 1970-1980.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Generacion de los 70: analisis de las formas expresivas de los artistas canarios de la decada 1970-1980. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ram\u00f3n D\u00edaz Padilla <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jaime Gonzalez De Aledo Codina<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Ignacio Berriobe\u00f1a Elorza <\/li>\n<li>Francisco Lagares Prieto (vocal)<\/li>\n<li> Gonzalez Cuasante Jos\u00e9 Mar\u00eda (vocal)<\/li>\n<li> Sarmiento Garcia Jos\u00e9 Antonio (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ram\u00f3n D\u00edaz Padilla La tesis trata del estudio de la obra y las trayectorias artisticas de un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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