{"id":13908,"date":"2018-03-09T09:00:23","date_gmt":"2018-03-09T09:00:23","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-palabra-y-el-silencio-en-el-episodio-amoroso-de-la-eneida\/"},"modified":"2018-03-09T09:00:23","modified_gmt":"2018-03-09T09:00:23","slug":"la-palabra-y-el-silencio-en-el-episodio-amoroso-de-la-eneida","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/la-palabra-y-el-silencio-en-el-episodio-amoroso-de-la-eneida\/","title":{"rendered":"La palabra y el silencio en el episodio amoroso de la eneida"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Mauriz Martinez Antonio  Alfonso <\/strong><\/h2>\n<p>Tomando como punto de partida el analisis de la palabra y el silencio en la historia de amor de dido y eneas en la eneida (analisis fundamentado basicamente en los ecos internos, la comparacion con topicos literarios donde palabra y silencio juegan un papel esencial y el contraste con modalidades culturales de la palabra como la magica, la ritual&#8230; Que estan en el trasfondo de algunas de las escenas del episodio), se va descubriendo y describiendo una \u00abpoetica\u00bb de la palabra que funciona como un hilo de significado coherente a lo largo del poema. Las conclusiones mas importantes sobre dicha poetica giran en torno a la palabra \u00abemocional\u00bb y su valoracion negativa (asi como del arte que tiene ese sustrato) en cuanto fuerza ajena al control humano (lo que permite ver la continuidad entre la palabra de amor y la de la magia), y ligada a lo irracional del deseo (lo que deriva en determinados posicionamientos eticos y religiosos.)<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La palabra y el silencio en el episodio amoroso de la eneida<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La palabra y el silencio en el episodio amoroso de la eneida <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Mauriz Martinez Antonio  Alfonso <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/11\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Von Albrecht Michail<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: dulce Estefania alvarez <\/li>\n<li>bernd Hessen (vocal)<\/li>\n<li>Jos\u00e9 Luis Vidal p\u00e9rez (vocal)<\/li>\n<li>Antonio Alvar ezquerra (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mauriz Martinez Antonio Alfonso Tomando como punto de partida el analisis de la palabra y el silencio [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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