{"id":139191,"date":"2026-01-12T17:42:40","date_gmt":"2026-01-12T17:42:40","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-representacion-del-thiasos-marino-en-los-mosaicos-romanos-nereidas-y-tritones\/"},"modified":"2026-01-12T17:42:40","modified_gmt":"2026-01-12T17:42:40","slug":"la-representacion-del-thiasos-marino-en-los-mosaicos-romanos-nereidas-y-tritones","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-representacion-del-thiasos-marino-en-los-mosaicos-romanos-nereidas-y-tritones\/","title":{"rendered":"La representacion del thiasos marino en los mosaicos romanos. nereidas y tritones."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Neira Jimenez M. Luz <\/strong><\/h2>\n<p>Teniendo como finalidad el estudio de las representaciones de nereidas y tritones en la musivaria romana, tema de gran complejidad que nunca hasta la fecha habia sido abordado en su conjunto, se ha realizado un catalogo expansivo en el que, siguiendo una ordenacion basada en la distribucion geografica del imperio romano, figuran 230 mosaicos bicromos y policromos con 419 repr.  de nereidas y 340 de tritones, ilustradas con cdxlii laminas. A continuacion partiendo de esta documentacion se ha abordado un estudio en el que destacan la referencia a sus antecedentes, el establecimiento de una tipolog\u00eda, un analisis iconografico, las representaciones excepcionales que aparecen identificadas por una inscripcion, los diversos tipos de composiciones, el destino de este genero de mosaicos y el caracter de las representaciones asociadas; aspectos, en los que se fundamentan la cronolog\u00eda y las conclusiones.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La representacion del thiasos marino en los mosaicos romanos. nereidas y tritones.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La representacion del thiasos marino en los mosaicos romanos. nereidas y tritones. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Neira Jimenez M. Luz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Mar\u00eda Bl\u00e1zquez Mart\u00ednez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Arminda Lozano Velilla <\/li>\n<li>Lorenzo Abad Casal (vocal)<\/li>\n<li> Mu\u00f1oz Amilibia Ana Mar\u00eda (vocal)<\/li>\n<li>Guadalupe Lopez Monteagudo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Neira Jimenez M. Luz Teniendo como finalidad el estudio de las representaciones de nereidas y tritones en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[986,104,569,1014,220,222],"tags":[11033,24163,575,8283,42495,253704],"class_list":["post-139191","post","type-post","status-publish","format-standard","hentry","category-complutense-de-madrid","category-historia","category-historia-antigua","category-historia-del-arte","category-historia-por-epocas","category-historias-especializadas","tag-arminda-lozano-velilla","tag-guadalupe-lopez-monteagudo","tag-jose-maria-blazquez-Martinez","tag-lorenzo-abad-casal","tag-munoz-amilibia-ana-maria","tag-neira-jimenez-m-luz"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/139191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=139191"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/139191\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=139191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=139191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=139191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}