{"id":139195,"date":"2026-01-12T17:42:43","date_gmt":"2026-01-12T17:42:43","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-arte-abstracto-en-canarias-contexto-teoria-y-pintura-1930-1970\/"},"modified":"2026-01-12T17:42:43","modified_gmt":"2026-01-12T17:42:43","slug":"el-arte-abstracto-en-canarias-contexto-teoria-y-pintura-1930-1970","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-arte-abstracto-en-canarias-contexto-teoria-y-pintura-1930-1970\/","title":{"rendered":"El arte abstracto en canarias (contexto, teoria y pintura 1930-1970)."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Nuez Santana Jos\u00e9 Luis De La <\/strong><\/h2>\n<p>Este trabajo de investigacion se ha propuesto el analisis de la abstraccion pictorica en canarias en una triple vertiente.            En primer lugar, salvando los apartados introductorios previos, un estudio de la incidencia de la pintura abstracta en el archipielago desde el momento de sus primeras manifestaciones (principio de los cincuenta), a trves de exposiciones colectivas, actividades de grupos artisticos y exposiciones regionales en ambas capitales regionales. De esta forma, obtenemos una primera lectura de la trascendecia que la implantacion paulatina del no figurativismo (sobre todo informalismo) alcanzo en este ambiente cultural, subrayandose, ademas de las caracteristicas de las obras, las reticencias y adhesiones que la difusion de esta pintura provoco en la prensa y critica de la epoca.  en segundo lugar, atendemos a una dimension exclusivamente teorica, profundizando en las aportaciones en este sentido de la critica de arte canaria desde 1930 hasta 1970, limites cronologicos que nos hemos impuesto.  para este fin, procedemos a un rastreo sistematico de los contenidos criticos referidoa al arte abstracto en su vertiente mas discursiva.  finalmente, es objeto de estudio la aportacion individualizada de los pintores que en las decadas de los cincuenta y sesenta se han iniciado en la abstraccion.  son: jose julio rodriguez, manolo millares, cesar manrique, felo monzon, pino ojeda, rafael bethencourt, francisco lezcano, lola massieu, antonio padron (en un periodo breve), eva fernandez, vivi milano, pedro gonzalez, victor nu\u00f1ez y manuel villate. De manera muy breve, atendemos tambien a las aportaciones de fredy samull, jose sixto, juan ismael y jose luis fajardo. El estudio individualizado de los artistas comprende una primera parte biografica y la posterior investigacion sobre su obra abstracta, lo que se ve completado con los catalogos correspondientes.  a\u00f1adimos que el apartado bibliografico comprende tanto l<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El arte abstracto en canarias (contexto, teoria y pintura 1930-1970).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El arte abstracto en canarias (contexto, teoria y pintura 1930-1970). <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Nuez Santana Jos\u00e9 Luis De La <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Hernandez Perera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Jos\u00e9 Portela Sandoval <\/li>\n<li>Carlos P\u00e9rez Reyes (vocal)<\/li>\n<li>Victor Nieto Alcaide (vocal)<\/li>\n<li>Federico Castro Morales (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Nuez Santana Jos\u00e9 Luis De La Este trabajo de investigacion se ha propuesto el analisis de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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