{"id":139197,"date":"2026-01-12T17:42:44","date_gmt":"2026-01-12T17:42:44","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-humor-en-el-teatro-de-pedro-munoz-seca-lenguaje-y-situaciones-escenicas\/"},"modified":"2026-01-12T17:42:44","modified_gmt":"2026-01-12T17:42:44","slug":"el-humor-en-el-teatro-de-pedro-munoz-seca-lenguaje-y-situaciones-escenicas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-humor-en-el-teatro-de-pedro-munoz-seca-lenguaje-y-situaciones-escenicas\/","title":{"rendered":"El humor en el teatro de pedro mu\u00f1oz seca: lenguaje y situaciones escenicas."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Oca\u00f1a Ruiz Victoria Lucia <\/strong><\/h2>\n<p>La tesis se ha dividido en seis capitulos; un apendice bibliografico de las obras propias de mu\u00f1oz seca y de las escritas en colaboracion, y bibliografia: i. De pedro mu\u00f1oz seca; ii, sobre pedro mu\u00f1oz seca; iii. Bibliografia subsidiaria. Completa la composicion del volumen un conjuto de ilustraciones sobre mu\u00f1oz seca, sus obras y sus estrenos.  el capitulo i es una biografia de mu\u00f1oz seca puesta al dia, el capitulo ii es un resumen historico sobre la espa\u00f1a que vivio mu\u00f1oz seca, haciendo hincapie en la politica y sociedad que configuro la idea de espa\u00f1a y los espa\u00f1oles expresada por mu\u00f1oz seca en sus obras. El capitulo iii esta dedicado a integrar a mu\u00f1oz seca en el diverso y variopinto conjunto del teatro espa\u00f1ol del primer tercio del siglo xx. Los capitulos siguientes (iv y v) ofrecen ampliamente las caracteristicas del humor en el teatro de mu\u00f1oz seca. El ultimo capitulo intenta ofrecer una historia de la escena espa\u00f1ola en ese primer tercio del siglo xx, en el cual fue uno de los autores de mas exito.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El humor en el teatro de pedro mu\u00f1oz seca: lenguaje y situaciones escenicas.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El humor en el teatro de pedro mu\u00f1oz seca: lenguaje y situaciones escenicas. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Oca\u00f1a Ruiz Victoria Lucia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Elena Catena Lopez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Andr\u00e9s Amor\u00f3s Guardiola <\/li>\n<li>Ricardo De La Fuente Ballesteros (vocal)<\/li>\n<li>Jos\u00e9 Nicolas Romera Castillo (vocal)<\/li>\n<li>Agust\u00edn Mu\u00f1oz-alonso L\u00f3pez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Oca\u00f1a Ruiz Victoria Lucia La tesis se ha dividido en seis capitulos; un apendice bibliografico de las [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,986,628],"tags":[23738,6400,6401,5039,253712,23564],"class_list":["post-139197","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-complutense-de-madrid","category-teoria-analisis-y-critica-literarios","tag-agustin-munoz-alonso-lopez","tag-andres-amoros-guardiola","tag-elena-catena-lopez","tag-jose-nicolas-romera-castillo","tag-ocana-ruiz-victoria-lucia","tag-ricardo-de-la-fuente-ballesteros"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/139197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=139197"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/139197\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=139197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=139197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=139197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}