{"id":139532,"date":"2026-01-12T17:46:30","date_gmt":"2026-01-12T17:46:30","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arquitectura-en-asturias-1500-1580-la-dinastia-de-los-cerecedo\/"},"modified":"2026-01-12T17:46:30","modified_gmt":"2026-01-12T17:46:30","slug":"arquitectura-en-asturias-1500-1580-la-dinastia-de-los-cerecedo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/arquitectura-en-asturias-1500-1580-la-dinastia-de-los-cerecedo\/","title":{"rendered":"Arquitectura en asturias 1500-1580. la dinastia de los cerecedo."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pilar Garcia Cuetos <\/strong><\/h2>\n<p>Acercamiento global a la produccion arquitectonica asturiana en el periodo comprendido entre los a\u00f1os 1500 y 1580, con las siguientes conclusiones:  1.- La realidad arquitectonica asturiana de los dos primeros tercios del siglo xvi es mas rica y tiene mas importancia de lo que se suponia.  2.- La finalidad funeraria determina la mayor parte de las empresas de arquitectura religiosa.  3.- Algunas tipolog\u00edas arquitectonicas permanecen avaladas por la tradicion, pero se plasma un nuevo tipo de templo de nave unica, iluminacion homogenea y vision preferente de la cabecera.  4.- En el primer tercio de siglo se plasman iniciativas muy concretas, con trazas foraneas.  5.- El panorama sera renovado por juan de cerecedo, el viejo, a partir de 1544, y sus soluciones seran continuadas por su sobrino, juan de cerecedo, el mozo.  6.- Se constata una presencia mayoritaria de artifices cantabros.  7.- Los proyectos encargados por fernando de valdes a rodrigo gil suponen el epilogo de la arquitectura de los maestros de formacion gotica en asturias.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arquitectura en asturias 1500-1580. la dinastia de los cerecedo.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arquitectura en asturias 1500-1580. la dinastia de los cerecedo. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pilar Garcia Cuetos <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Julia Mar\u00eda Barroso Villar<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Victor Nieto Alcaide <\/li>\n<li>Alfredo Morales Martinez (vocal)<\/li>\n<li>German Ramallo Asensio (vocal)<\/li>\n<li> Vila Jato M. Dolores (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pilar Garcia Cuetos Acercamiento global a la produccion arquitectonica asturiana en el periodo comprendido entre los a\u00f1os [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1745,1014,222,8846],"tags":[3684,8187,25258,69158,14793,21339],"class_list":["post-139532","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-de-la-arquitectura","category-historia-del-arte","category-historias-especializadas","category-oviedo","tag-alfredo-morales-Martinez","tag-german-ramallo-asensio","tag-julia-maria-barroso-villar","tag-pilar-garcia-cuetos","tag-victor-nieto-alcaide","tag-vila-jato-m-dolores"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/139532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=139532"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/139532\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=139532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=139532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=139532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}