{"id":139810,"date":"2026-01-12T17:49:03","date_gmt":"2026-01-12T17:49:03","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/empresas-artisticas-durante-la-estancia-de-felipe-v-en-sevilla-1729-1733\/"},"modified":"2026-01-12T17:49:03","modified_gmt":"2026-01-12T17:49:03","slug":"empresas-artisticas-durante-la-estancia-de-felipe-v-en-sevilla-1729-1733","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/empresas-artisticas-durante-la-estancia-de-felipe-v-en-sevilla-1729-1733\/","title":{"rendered":"Empresas artisticas durante la estancia de felipe v en sevilla (1729-1733)."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Morillas Alcazar Jos\u00e9 M. <\/strong><\/h2>\n<p>La tesis doctoral titulada \u00abempresas artisticas durante la estancia de felipe v en sevilla (1.729-1.733)\u00bb se divide en cuatro capitulos, que se complementan con su correspondiente aparato critico, apendice documental y relacion bibliografica. En el primer capitulo se ofrece la fintroduccion historica del tema artistico elegido. En el segundo se aborda el estudio arquitectonico y urbanistico de la sevilla del momento. El tercer capitulo analiza las fiestas y las arquitecturas efimeras que estas conllevan durante la estancia de la corte en la capital de andalucia. Y, por ultimo, en el cuarto capitulo se dibuja el panorama de las artes plasticas y decorativas de la epoca. A todo ello, hay que sumar el listado de las conclusiones, el apendice documental, las fuentes, la bibliografia y la esmerada seleccion de fotografias, grabados y planos que ilustran el texto.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Empresas artisticas durante la estancia de felipe v en sevilla (1729-1733).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Empresas artisticas durante la estancia de felipe v en sevilla (1729-1733). <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Morillas Alcazar Jos\u00e9 M. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Miguel Gonzalez Gomez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Emilio G\u00f3mez Pi\u00f1ol <\/li>\n<li>Fernando P\u00e9rez Mulet (vocal)<\/li>\n<li> Sanz Serrano Mar\u00eda  Jes\u00fas (vocal)<\/li>\n<li>Antonio Moreno Garrido (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Morillas Alcazar Jos\u00e9 M. La tesis doctoral titulada \u00abempresas artisticas durante la estancia de felipe v en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222,10715],"tags":[35648,10774,1747,2077,254357,26635],"class_list":["post-139810","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","category-sevilla","tag-antonio-moreno-garrido","tag-emilio-gomez-pinol","tag-fernando-perez-mulet","tag-juan-miguel-gonzalez-gomez","tag-morillas-alcazar-jose-m","tag-sanz-serrano-maria-jesus"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/139810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=139810"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/139810\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=139810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=139810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=139810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}