{"id":139822,"date":"2026-01-12T17:49:10","date_gmt":"2026-01-12T17:49:10","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/discipulos-y-seguidores-del-estilo-de-juan-de-valdes-leal\/"},"modified":"2026-01-12T17:49:10","modified_gmt":"2026-01-12T17:49:10","slug":"discipulos-y-seguidores-del-estilo-de-juan-de-valdes-leal","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/discipulos-y-seguidores-del-estilo-de-juan-de-valdes-leal\/","title":{"rendered":"Discipulos y seguidores del estilo de juan de valdes leal."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Fernando Ortega Postigo <\/strong><\/h2>\n<p>El contenido de la obra desarrolla en dos volumenes separados, correspondientes cada uno a los discipulos directos y seguidores del estilo de valdes leal, respectivamente, el devenir historico sociopolitico del ultimo tercio del siglo xvii e inicios del xviii; el influjo del magisterio legado por el maestro en el arte de la epoca y sus apendices y, fundamentalmente, en cada capitulo separado, la figura, biografia, estilo y produccion artistica (pintura mural, lienzos, tablas, grabados, dibujos y otros) junto con su catalogo correspondiente y documentos mas relevantes, en su mayoria ineditos, de cada uno de los artistas que en su estilo evidencian derivaciones directas de la obra de valdes leal (lucas gregorio valdes, luisa rafaela valdes), o un eclecticismo en el que es perceptible un contacto con la obra del gran maestro sevillano (matias de arteaga, clemente de torres, ignacio de leon salcedo, etc.).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Discipulos y seguidores del estilo de juan de valdes leal.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Discipulos y seguidores del estilo de juan de valdes leal. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Fernando Ortega Postigo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Banda Vargas Antonio  De La<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jose Guerrero Lovillo <\/li>\n<li>Carmen Fraga Gonzalez (vocal)<\/li>\n<li>Emilio G\u00f3mez Pi\u00f1ol (vocal)<\/li>\n<li>Jes\u00fas Miguel Palomero P\u00e1ramo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fernando Ortega Postigo El contenido de la obra desarrolla en dos volumenes separados, correspondientes cada uno a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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