{"id":140576,"date":"2026-01-12T17:55:56","date_gmt":"2026-01-12T17:55:56","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-oratorio-barroco-en-aragon-y-su-contexto-hispanico\/"},"modified":"2026-01-12T17:55:56","modified_gmt":"2026-01-12T17:55:56","slug":"el-oratorio-barroco-en-aragon-y-su-contexto-hispanico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-oratorio-barroco-en-aragon-y-su-contexto-hispanico\/","title":{"rendered":"El oratorio barroco en aragon y su contexto hispanico"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Sanchez Siscart M. Montserrat <\/strong><\/h2>\n<p>El objeto de esta tesis es delimitar el oratorio como genero en aragon en relacion al contexto del resto de espa\u00f1a, teniendo tambien en cuenta el desarrollo del mismo en el resto de europa. Los puntos principales que se han tratado han sido la historia del genero, el estado de la cuestion, los aspectos estructurales que determinan el genero y los aspectos genericos, en orden a establecer una primera determinacion del significado de este tipo de composicion. Otras cuestiones tratadas han sido el analisis de los textos de estas composiciones, observandose relaciones con otros generos literarios dramaticos, concretamente con la comedia de santos, el teatro escolar y la oratoria sagrada. El estudio de la musica ha puesto de manifiesto las relaciones con el resto de la musica del momento en espa\u00f1a, presentando caracteristicas por influencia de la musica italiana del momento al tiempo que otras mas propiamente hispanas.  tambien se han analizado las relaciones que aparecen entre musica y textos, componentes basicos del oratorio.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El oratorio barroco en aragon y su contexto hispanico<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El oratorio barroco en aragon y su contexto hispanico <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Sanchez Siscart M. Montserrat <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Carreras Lopez Juan  Jose<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Emilio Casares Rodicio <\/li>\n<li>Mar\u00eda Antonia Virgili Blanquet (vocal)<\/li>\n<li>Antonio Martin Moreno (vocal)<\/li>\n<li>Joaquin Alvarez Barrientos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Sanchez Siscart M. Montserrat El objeto de esta tesis es delimitar el oratorio como genero en aragon [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,9132,1111,628,13610],"tags":[12773,77407,7634,7811,9723,255203],"class_list":["post-140576","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-musica-y-musicologia","category-teoria-analisis-y-critica-de-las-bellas-artes","category-teoria-analisis-y-critica-literarios","category-zaragoza","tag-antonio-martin-moreno","tag-carreras-lopez-juan-jose","tag-emilio-casares-rodicio","tag-joaquin-alvarez-barrientos","tag-maria-antonia-virgili-blanquet","tag-sanchez-siscart-m-montserrat"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/140576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=140576"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/140576\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=140576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=140576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=140576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}