{"id":140793,"date":"2026-01-12T17:57:32","date_gmt":"2026-01-12T17:57:32","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-teatro-infantil-profesional-en-egipto-1959-1985\/"},"modified":"2026-01-12T17:57:32","modified_gmt":"2026-01-12T17:57:32","slug":"el-teatro-infantil-profesional-en-egipto-1959-1985","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-teatro-infantil-profesional-en-egipto-1959-1985\/","title":{"rendered":"El teatro infantil profesional en egipto (1959-1985)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Amer Aly <\/strong><\/h2>\n<p>Versa la tesis doctoral sobre el teatro infantil profesional en egipto durante la epoca 1959-1985. Tras una introduccion historica al tema, en que se habla de los precedentes del teatro infantil en egipto (epoca faraonica islan &#8211; epoca moderna), el autor pasa a desarrollar el tema en cuestion. Se centra el estudio en dos puntos principales:  &#8211; el teatro de titeres (1959-1985), en que se habla de sus comienzos, desarrollo, tematica general, etc&#8230; Y se hace un estudio y exposicion detallada de las principales obras como, por ejemplo, al-layla a-kobira (la gran noche), obra de gran peso en el panorama del teatro infantil egipcio actual.  &#8211; el teatro infantil representado por actores adultos profesionales (1964-1985), en que se estudia sus etapas, tematica, ideolog\u00eda, etc&#8230; Con un gran acopio de documentos ineditos y analisis criticos profundos, actuales y documentados.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El teatro infantil profesional en egipto (1959-1985)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El teatro infantil profesional en egipto (1959-1985) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Amer Aly <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>villasante Ruiz Bravo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Pedro Martinez Montavez <\/li>\n<li>Juan Ortega Marin (vocal)<\/li>\n<li> Del Amo Hernandez Mercedes (vocal)<\/li>\n<li>Julia Buti\u00f1a Jimenez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Amer Aly Versa la tesis doctoral sobre el teatro infantil profesional en egipto durante la epoca 1959-1985. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,1110,1111],"tags":[255472,76315,8083,51696,3890,81333],"class_list":["post-140793","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-teatro","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-amer-aly","tag-del-amo-hernandez-mercedes","tag-juan-ortega-marin","tag-julia-butina-jimenez","tag-pedro-Martinez-montavez","tag-villasante-ruiz-bravo"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/140793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=140793"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/140793\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=140793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=140793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=140793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}