{"id":141611,"date":"2026-01-12T18:03:56","date_gmt":"2026-01-12T18:03:56","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/edicion-critica-estudio-y-notas-de-la-trilogia-de-los-pizarro-de-tirso-de-molina\/"},"modified":"2026-01-12T18:03:56","modified_gmt":"2026-01-12T18:03:56","slug":"edicion-critica-estudio-y-notas-de-la-trilogia-de-los-pizarro-de-tirso-de-molina","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/edicion-critica-estudio-y-notas-de-la-trilogia-de-los-pizarro-de-tirso-de-molina\/","title":{"rendered":"Edicion critica, estudio y notas de la \u00abtrilogia de los pizarro\u00bb de tirso de molina."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel Zugasti Zugasti <\/strong><\/h2>\n<p>Este trabajo consiste en una edicion critica de la denominada \u00abtrilogia de los pizarro\u00bb (compuesta por las comedias todo es dar en una cosa. Amazonas en las indias y la lealtad contra la envidia) escrita por fray gabriel tellez, mas conocido como tirso de molina. La edicion se basa en el texto de la cuarta parte de comedias de 1635, que ha sido cotejado con el resto de ediciones de la trilogia, incluyendo en las paginas finales una lista del total de las variantes. El estudio analiza aspectos varios como la genesis de las obras, el genero a que pertenecen, las fuentes, estilo, metrica, etc. Las notas forman parte esencial de la edicion, siendo unas de caracter textual (variantes, versos deturpados&#8230;) Y otras de caracter filologico explicativo: seguimiento de la fraseolog\u00eda aurea, empleo de refranes, americanismos, elementos retoricos&#8230; Asi como la transcripcion paralela de los textos cronisticos que en cada caso siguio tirso de molina.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Edicion critica, estudio y notas de la \u00abtrilogia de los pizarro\u00bb de tirso de molina.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Edicion critica, estudio y notas de la \u00abtrilogia de los pizarro\u00bb de tirso de molina. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel Zugasti Zugasti <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Navarra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1992<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ignacio Arellano Ayuso<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Frederic Serralta <\/li>\n<li>Mar\u00eda  Carmen Saralegui Platero (vocal)<\/li>\n<li> Diez Borque Jos\u00e9 M. (vocal)<\/li>\n<li>Francisco Florit Dur\u00e1n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel Zugasti Zugasti Este trabajo consiste en una edicion critica de la denominada \u00abtrilogia de los pizarro\u00bb [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,149,17749,628],"tags":[4721,8784,256316,8786,32179,51263],"class_list":["post-141611","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-navarra","category-teoria-analisis-y-critica-literarios","tag-diez-borque-jose-m","tag-francisco-florit-duran","tag-frederic-serralta","tag-ignacio-arellano-ayuso","tag-maria-carmen-saralegui-platero","tag-miguel-zugasti-zugasti"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/141611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=141611"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/141611\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=141611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=141611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=141611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}