{"id":142021,"date":"2026-01-12T18:07:35","date_gmt":"2026-01-12T18:07:35","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/jose-luis-hidalgo-y-las-lineas-poeticas-de-la-primera-postguerra-poesia-y-estetica-en-torno-a-proel\/"},"modified":"2026-01-12T18:07:35","modified_gmt":"2026-01-12T18:07:35","slug":"jose-luis-hidalgo-y-las-lineas-poeticas-de-la-primera-postguerra-poesia-y-estetica-en-torno-a-proel","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/jose-luis-hidalgo-y-las-lineas-poeticas-de-la-primera-postguerra-poesia-y-estetica-en-torno-a-proel\/","title":{"rendered":"Jose luis hidalgo y las lineas poeticas de la primera postguerra (poesia y estetica en torno a proel)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francisco Ruiz Soriano <\/strong><\/h2>\n<p>Estudio las lineas poeticas de la primera postguerra. El grupo santanderino de la quinta del 42: los antecedentes de la generacion y el santander de postguerra. Las caracteristicas de la quinta y la poesia de jose luis hidalgo (la poesia amorosa, el magisterio definitivo de aleixandre y alberti). La poesia metafisica de hidalgo desde \u00abraiz\u00bb a \u00ablos muertos\u00bb: analisis de su poesia (temas y simbolos). La influencia de gabriela mistral, r.M. Rilke y miguel de unamuno -temas en torno a la muerte-. -Dios y la inmortalidad-.       Recopilacion de articulos criticos y greguerias ineditas. Analisis de su poesia primera (pseudopoesias (1935), \u00abmensaje hasta el aire\u00bb, \u00abluces asesinadas y otros poemas\u00bb). El hidalgo surrealista y experimentador. Analisis tambien de la poesia cantabra.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Jose luis hidalgo y las lineas poeticas de la primera postguerra (poesia y estetica en torno a proel).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Jose luis hidalgo y las lineas poeticas de la primera postguerra (poesia y estetica en torno a proel). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francisco Ruiz Soriano <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Adolfo Sotelo V\u00e1zquez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Valverde Pacheco Jos\u00e9 Mar\u00eda <\/li>\n<li> Blecua Teijeiro Jos\u00e9 Manuel (vocal)<\/li>\n<li>Lu\u00eds Izquierdo Salvador (vocal)<\/li>\n<li>Sergio Beser Orti (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francisco Ruiz Soriano Estudio las lineas poeticas de la primera postguerra. El grupo santanderino de la quinta [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,147,2965,628],"tags":[1113,110,256731,1232,1115,34051],"class_list":["post-142021","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-estilo-y-estetica-literarios","category-teoria-analisis-y-critica-literarios","tag-adolfo-sotelo-vazquez","tag-blecua-teijeiro-jose-manuel","tag-francisco-ruiz-soriano","tag-luis-izquierdo-salvador","tag-sergio-beser-orti","tag-valverde-pacheco-jose-maria"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/142021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=142021"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/142021\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=142021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=142021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=142021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}