{"id":14243,"date":"2001-03-12T00:00:00","date_gmt":"2001-03-12T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/finnegans-wake-o-la-lengua-del-silencio-consecuencia-de-una-evolucion\/"},"modified":"2001-03-12T00:00:00","modified_gmt":"2001-03-12T00:00:00","slug":"finnegans-wake-o-la-lengua-del-silencio-consecuencia-de-una-evolucion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/finnegans-wake-o-la-lengua-del-silencio-consecuencia-de-una-evolucion\/","title":{"rendered":"Finnegans wake o la lengua del silencio: consecuencia de una evoluci\u00f3n"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Le\u00f3n Tavora Ana M. <\/strong><\/h2>\n<p>An\u00e1lisis exhaustivo del uso del lenguaje en toda la evoluci\u00f3n de la narrativa de james joyce, partiendo desde su \u00faltima obra, finnegans ware, y trazando un estudio retrospectivo para observar el proceso que encauza toda su producicon a la experimentaci\u00f3n ling\u00ed\u00bc\u00edstica que el autor lleva a cabo en su \u00faltima obra. Dividido en cuatro cap\u00edtulos correspondientes a las 4 edades hist\u00f3ricas de giambatista vico: edad de los dioses, de los hombres de los heroes y ricorso, el presente trabajo se organiza de forma circular, cubriendo as\u00ed todas las etapas de la narrativa joyceana, el uso del silencio en su \u00faltima obra, la preocupaci\u00f3n sobre los or\u00edgenes del lenguaje, el ritmo y la poes\u00eda en las primeras producciones de joyce, las asociaciones por medio de simbolos, sin\u00f3nimos y repeticiones en ulysses y por \u00faltimo relacionar la lengua con ejemplos de codificaci\u00f3n, trastornos mentales y del lenguaje y juegos de palabras.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Finnegans wake o la lengua del silencio: consecuencia de una evoluci\u00f3n<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Finnegans wake o la lengua del silencio: consecuencia de una evoluci\u00f3n <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Le\u00f3n Tavora Ana M. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 03\/12\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Garcia Tortosa<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio  raul De toro santos <\/li>\n<li>carmelo Medina casado (vocal)<\/li>\n<li>roman Alvarez rodriguez (vocal)<\/li>\n<li>Jos\u00e9 Carnero gonz\u00e1lez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Le\u00f3n Tavora Ana M. An\u00e1lisis exhaustivo del uso del lenguaje en toda la evoluci\u00f3n de la narrativa [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,149,2965,10715,628],"tags":[33311,37049,658,45933,45932,11023],"class_list":["post-14243","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-estilo-y-estetica-literarios","category-sevilla","category-teoria-analisis-y-critica-literarios","tag-antonio-raul-de-toro-santos","tag-carmelo-medina-casado","tag-francisco-garcia-tortosa","tag-jose-carnero-gonzalez","tag-leon-tavora-ana-m","tag-roman-alvarez-rodriguez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/14243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=14243"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/14243\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=14243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=14243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=14243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}