{"id":142995,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-arte-de-los-paises-bajos-de-los-siglos-xvi-y-xvii-en-las-islas-canarias\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"el-arte-de-los-paises-bajos-de-los-siglos-xvi-y-xvii-en-las-islas-canarias","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-arte-de-los-paises-bajos-de-los-siglos-xvi-y-xvii-en-las-islas-canarias\/","title":{"rendered":"El arte de los paises bajos de los siglos xvi y xvii en las islas canarias."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Negrin Delgado M. Constanza <\/strong><\/h2>\n<p>La presente tesis doctoral se centra en la catalogacion de los retablos escultoricos y pictoricos, imagineria exenta y cuadros de tematica religiosa que, provenientes de los afamados talleres flamencos, brabanzones y neerlandeses, llegaron a las islas canarias durante los siglos xvi y xvii, y alli se conservan todavia, enriqueciendo el patrimonio eclesiastico insular, los actuales fondos de sus museos y otros organismos oficiales e importantes colecciones privadas. Para ello, se sigue una ordenacion cronologica, que, si bien en la escultura es de caracter meramente aproximativo, dada la arcaizante reiteracion tipologica observable en buena parte de los ejemplares estudiados, en el caso de la pintura admite una mayor concrecion, pues depende de la evolucion estilistica inherente a la obra de los distintos autores propuestos.  clasificacion que, ademas, se pretende completar con la documentacion de cada pieza existente en los diversos archivos consultados, su descripcion material y formal, y el analisis iconografico de las mismas, respetando los conjuntos a los cuales pertenecieron originariamente.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El arte de los paises bajos de los siglos xvi y xvii en las islas canarias.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El arte de los paises bajos de los siglos xvi y xvii en las islas canarias. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Negrin Delgado M. Constanza <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Hernandez Perera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Jos\u00e9 Portela Sandoval <\/li>\n<li>Elisa Bermejo Martinez (vocal)<\/li>\n<li>Carlos P\u00e9rez Reyes (vocal)<\/li>\n<li>Margarita Estella Marcos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Negrin Delgado M. Constanza La presente tesis doctoral se centra en la catalogacion de los retablos escultoricos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[986,104,1014,1015,220,222],"tags":[5816,101137,5884,5374,206572,257734],"class_list":["post-142995","post","type-post","status-publish","format-standard","hentry","category-complutense-de-madrid","category-historia","category-historia-del-arte","category-historia-moderna-del-area-europea","category-historia-por-epocas","category-historias-especializadas","tag-carlos-perez-reyes","tag-elisa-bermejo-Martinez","tag-francisco-jose-portela-sandoval","tag-jesus-hernandez-perera","tag-margarita-estella-marcos","tag-negrin-delgado-m-constanza"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/142995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=142995"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/142995\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=142995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=142995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=142995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}