{"id":143335,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/aproximacion-al-hecho-teatral-estetica-semiotica-a-proposito-de-david-hare\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"aproximacion-al-hecho-teatral-estetica-semiotica-a-proposito-de-david-hare","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/aproximacion-al-hecho-teatral-estetica-semiotica-a-proposito-de-david-hare\/","title":{"rendered":"Aproximacion al hecho teatral: estetica-semiotica a proposito de david hare."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Perez Soler Juan  Jose <\/strong><\/h2>\n<p>La tesis versa sobre el problema del hecho teatral. En ella se presentan todos los componentes o elementos integrantes del teatro: espacio, tiempo, personaje, espectador, etc., Todos ellos integrados bajo la unidad de comunicacion linguistica. El mismo proceso comunicativo teatral se pone en relacion con la estetica-semiotica de david hare. La unidad teatro-semiolog\u00eda se presenta en forma dialectica entre los componentes del teatro y las funciones y significado del lenguaje. Los puntos principales son: ?Que es el teatro? ?Como es el teatro?. La accion dramatica. El teatro de siempre y su circunstancia. David hare y la critica estetico-estructural. La representacion teatral entre la mediacion de la palabra y el espectaculo.  coherencia de la retorica escenica y la coherencia semantica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Aproximacion al hecho teatral: estetica-semiotica a proposito de david hare.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Aproximacion al hecho teatral: estetica-semiotica a proposito de david hare. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Perez Soler Juan  Jose <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Enrique Lavin Camacho<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Estanislao Ramon Trives <\/li>\n<li>Gregorio Gomez Cambres (vocal)<\/li>\n<li>Blanca Krauel Heredia (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Perez Soler Juan Jose La tesis versa sobre el problema del hecho teatral. En ella se presentan [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,59,7834,1110,1111,3016],"tags":[35642,258080,16716,24776,258079],"class_list":["post-143335","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-linguistica","category-malaga","category-teatro","category-teoria-analisis-y-critica-de-las-bellas-artes","category-teoria-linguistica","tag-blanca-krauel-heredia","tag-enrique-lavin-camacho","tag-estanislao-ramon-trives","tag-gregorio-gomez-cambres","tag-perez-soler-juan-jose"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/143335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=143335"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/143335\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=143335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=143335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=143335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}