{"id":143475,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/cancion-y-sociedad-en-la-espana-decimononica-1800-1874\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"cancion-y-sociedad-en-la-espana-decimononica-1800-1874","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/cancion-y-sociedad-en-la-espana-decimononica-1800-1874\/","title":{"rendered":"Cancion y sociedad en la espa\u00f1a decimononica: 1800-1874."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Celsa Alonso Gonzalez <\/strong><\/h2>\n<p>La tesis se\u00f1ala que existio una produccion de cancion espa\u00f1ola cuantitativamente importante en esas fechas. Que se esta no solo ante un repertorio de salon sino de concierto, puesto que la cancion nunca llego a desaparecer de los teatros, de donde procedia.  la vinculacion de los salones con el teatro explica la invasion del italianismo en las veladas musicales.  ello no solo se verifica en el repertorio vocal sino en el instrumental.                             A lo largo de la investigacion se restituye a la cancion espa\u00f1ola al lugar que por su importancia le corresponde, intentando explicar las razones complejas de su naturaleza y que se desvincula de un \u00ablied espa\u00f1ol\u00bb hacia una produccion extraordinariamente personal.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Cancion y sociedad en la espa\u00f1a decimononica: 1800-1874.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Cancion y sociedad en la espa\u00f1a decimononica: 1800-1874. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Celsa Alonso Gonzalez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Emilio Casares Rodicio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Bonastre Beltran <\/li>\n<li>Angel Medina Alvarez (vocal)<\/li>\n<li>Vidal Pe\u00f1a (vocal)<\/li>\n<li>Mar\u00eda Antonia Virgili Blanquet (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Celsa Alonso Gonzalez La tesis se\u00f1ala que existio una produccion de cancion espa\u00f1ola cuantitativamente importante en esas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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