{"id":143510,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/pintura-espanola-en-buenos-aires-1880-1930\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"pintura-espanola-en-buenos-aires-1880-1930","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/pintura-espanola-en-buenos-aires-1880-1930\/","title":{"rendered":"Pintura espa\u00f1ola en buenos aires, 1880-1930."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Fernandez Garcia Ana M. <\/strong><\/h2>\n<p>Se trata de un analisis del fenomeno de trasvase artistico producido entre 1880 y 1930 entre espa\u00f1a y buenos aires, centrando el estudio en tres campos: por una parte, el examen y la profundizacion en el proceso de reencuentro intelectual con la peninsula, como actitud que evoluciona desde el anterior repudio por lo espa\u00f1ol, hasta la valoracion positiva de la tradicion hispanica.  por otra parte, tambien analiza las diversas oleadas migratorias de artistas peninsulares hacia la capital argentina, rese\u00f1ando tanto su trayectoria vital como las mas importantes obras de los artistas. Y, por ultimo, centra su interes en el estudio de las diversas exposiciones, individuales y colectivas, de plasticos espa\u00f1oles celebradas en buenos aires en el arco temporal elegido, ahondando en las denominadas \u00abexposiciones de pintura espa\u00f1ola moderna\u00bb, patrocinadas inicialmente por la camara de comercio espa\u00f1ola, por el marchante jose artal, y luego por pinelo, bou o el mismo miralles.  la ultima parte, ofrece un catalogo exhaustivo de cuadros de pintores espa\u00f1oles que aun se conservan en museos, instituciones y colecciones privadas de buenos aires, consignando ademas de los datos tecnicos, referencias bibliograficas y aporte documental.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Pintura espa\u00f1ola en buenos aires, 1880-1930.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Pintura espa\u00f1ola en buenos aires, 1880-1930. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Fernandez Garcia Ana M. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Morales Saro M. Cruz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mireia Freixa Serra <\/li>\n<li> Garcia Quiros Rosa M. (vocal)<\/li>\n<li>Emilio Burucua Jose (vocal)<\/li>\n<li>Javier Hernando Carrasco (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fernandez Garcia Ana M. Se trata de un analisis del fenomeno de trasvase artistico producido entre 1880 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,2563,222,8846],"tags":[258242,23185,74332,25259,28157,25257],"class_list":["post-143510","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte-de-los-siglos-xix-y-xx","category-historias-especializadas","category-oviedo","tag-emilio-burucua-jose","tag-fernandez-garcia-ana-m","tag-garcia-quiros-rosa-m","tag-javier-hernando-carrasco","tag-mireia-freixa-serra","tag-morales-saro-m-cruz"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/143510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=143510"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/143510\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=143510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=143510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=143510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}