{"id":143711,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-topica-de-la-poesia-modernista-espanola-1900-1907-concordancias-y-teoria\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"la-topica-de-la-poesia-modernista-espanola-1900-1907-concordancias-y-teoria","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-topica-de-la-poesia-modernista-espanola-1900-1907-concordancias-y-teoria\/","title":{"rendered":"La topica de la poesia modernista espa\u00f1ola (1900-1907). concordancias y teoria."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Romero Lopez M. Dolores <\/strong><\/h2>\n<p>Examina la autora, en una primera parte, la \u00abtopica\u00bb que configura la sensibilidad modernista, tal como se desprende de los siguientes 9 poemarios: \u00abninfeas\u00bb, \u00abalmas de violeta\u00bb y \u00abarias tristes\u00bb de j.R. Jimenez; \u00abla copa del rey de thule\u00bb (cuya primera edicion se reproduce en apendice), de f. Villaespesa; \u00abalma\u00bb, de m. Machado; \u00absoledades\u00bb (que se reproduce, con todas sus variantes posteriores, en apendice) y \u00absoledades. Galerias. Otros poemas\u00bb, de a. Machado; \u00abla paz del sendero\u00bb, de r. Perez de ayala; y \u00abaromas de leyenda\u00bb, de valle-inclan.  a partir de ellos, se van delineando aspectos comunes como el \u00abyo lirico\u00bb (iii), la funcionalidad de los sentidos en la captacion artistica (iv), la naturaleza y la ciudad (v), la mujer modernista (vi), la estetica de la temporalidad (vii) y, en fin, la modulacion del misterio (viii).  siguen, en una segunda parte, las concordancias de todos los libros mencionados, ademas de las de las \u00abrimas\u00bb de becquer, \u00abpunto de arranque\u00bb de la \u00abmodernidad\u00bb espa\u00f1ola.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La topica de la poesia modernista espa\u00f1ola (1900-1907). concordancias y teoria.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La topica de la poesia modernista espa\u00f1ola (1900-1907). concordancias y teoria. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Romero Lopez M. Dolores <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Garcia De La Concha Victor<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Mar\u00eda Mart\u00ednez Cachero <\/li>\n<li> Perez Lopez Manuel Mar\u00eda (vocal)<\/li>\n<li>Francisco Javier Blasco Pascual (vocal)<\/li>\n<li>Jos\u00e9 Antonio Perez Bowie (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Romero Lopez M. Dolores Examina la autora, en una primera parte, la \u00abtopica\u00bb que configura la sensibilidad [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,2965,9386,628],"tags":[3574,3334,6655,6869,78868,258443],"class_list":["post-143711","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-estilo-y-estetica-literarios","category-salamanca","category-teoria-analisis-y-critica-literarios","tag-francisco-javier-blasco-pascual","tag-garcia-de-la-concha-victor","tag-jose-antonio-perez-bowie","tag-jose-maria-Martinez-cachero","tag-perez-lopez-manuel-maria","tag-romero-lopez-m-dolores"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/143711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=143711"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/143711\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=143711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=143711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=143711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}