{"id":143968,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-historico-artistico-y-evolutivo-del-cartel-en-las-fiestas-primaverales-en-sevilla\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"estudio-historico-artistico-y-evolutivo-del-cartel-en-las-fiestas-primaverales-en-sevilla","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/estudio-historico-artistico-y-evolutivo-del-cartel-en-las-fiestas-primaverales-en-sevilla\/","title":{"rendered":"Estudio historico-artistico y evolutivo del cartel en las fiestas primaverales en sevilla."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francisco Martin Cartaya <\/strong><\/h2>\n<p>Consta de siete partes donde se expone una amplia vision del cartel en las fiestas primaverales en sevilla, haciendo un estudio historico-artistico y evolutivo de cuanto se considera trabajo investigador dentro de su entorno, analizando las dos fiestas mas importantes de la primavera semana santa y feria de abril, y a su vez de la sevilla del siglo xvi y las cofradias, las artes aplicadas en las hermandades de penitencia, asi como un analisis del cartel, contexto historico, el cartel europeo de los siglos xix y xx, el cartel en espa\u00f1a, origen e inventario cronologico, grafico, descriptivo y artistico del cartel en las fiestas primaverales con comentarios y biografias, junto con enriquecedoras aportaciones originales, analisis de las obras y concepto.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio historico-artistico y evolutivo del cartel en las fiestas primaverales en sevilla.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio historico-artistico y evolutivo del cartel en las fiestas primaverales en sevilla. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francisco Martin Cartaya <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Maireles Vela<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Carmen Jimenez Serrano <\/li>\n<li>Santiago Vera Ca\u00f1izares (vocal)<\/li>\n<li>Antonio Zambrana Lara (vocal)<\/li>\n<li>Rafael S\u00e1nchez-carralero L\u00f3pez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francisco Martin Cartaya Consta de siete partes donde se expone una amplia vision del cartel en las [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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