{"id":144471,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/figuras-en-un-paisaje-el-cine-de-ficcion-de-victor-erice\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"figuras-en-un-paisaje-el-cine-de-ficcion-de-victor-erice","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/figuras-en-un-paisaje-el-cine-de-ficcion-de-victor-erice\/","title":{"rendered":"Figuras en un paisaje: el cine de ficcion de victor erice"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carmen Arocena Badillos <\/strong><\/h2>\n<p>Se trata del estudio de la obra del cineasta victor erice; su participacion en un episodio de \u00ablos desafios\u00bb (1969), sus dos largometrajes, el espiritu de la colmena (1973) y el sur (1982) y un relato corto, \u00aba una sombra\u00bb, este trabajo trata de delimitar los elementos de contenido caracteristicos del estilo de erice. La metodolog\u00eda de trabajo consiste en la descripcion de los esquemas actanciales presentes en cada relato y en la descripcion de la articulacion del sentido en el interior de cada pelicula. Se han buscado los elementos tematicos que vinculan al cine de erice con el de otros autores, especialmente en el campo cinematografico y en el de la pintura, y los elementos que permitan afirmar la idea de que el cine de erice es un cine de lo no dicho o de lo implicito.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Figuras en un paisaje: el cine de ficcion de victor erice<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Figuras en un paisaje: el cine de ficcion de victor erice <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carmen Arocena Badillos <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Santos Zunzunegui Diez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jenaro Talens Carmona <\/li>\n<li>Jon Juaristi Linacero (vocal)<\/li>\n<li>Roman Gubern Garriga-nogu\u00e9s (vocal)<\/li>\n<li> Esparza Estaun Jos\u00e9 Ramon (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carmen Arocena Badillos Se trata del estudio de la obra del cineasta victor erice; su participacion en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,59,62,12909,980,1111],"tags":[71722,67173,4740,12943,36703,5038],"class_list":["post-144471","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-linguistica","category-linguistica-sincronica","category-pais-vasco-euskal-herriko-unibertsitatea","category-semiologia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-carmen-arocena-badillos","tag-esparza-estaun-jose-ramon","tag-jenaro-talens-carmona","tag-jon-juaristi-linacero","tag-roman-gubern-garriga-nogues","tag-santos-zunzunegui-diez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/144471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=144471"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/144471\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=144471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=144471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=144471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}